The Image of Russia on the Western Screen: the Present Stage (1992–2013)

This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ model...

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Bibliographic Details
Main Author: Alexander Fedorov
Format: Article
Language:Russian
Published: Academic Publishing House Researcher 2013-01-01
Series:Evropejskij Issledovatelʹ
Subjects:
USA
spy
Online Access:http://www.erjournal.ru/pdf.html?n=1367687734.pdf
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spelling doaj-8ab3cb1065e14465be156a5745a037d22020-11-24T20:46:48ZrusAcademic Publishing House ResearcherEvropejskij Issledovatelʹ2219-82292224-01362013-01-01474-310511064The Image of Russia on the Western Screen: the Present Stage (1992–2013)Alexander FedorovThis article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992–2013 is still treated as an image of something, “alien”, “different”, often hostilehttp://www.erjournal.ru/pdf.html?n=1367687734.pdfcold warWestern filmsscreenimage of RussiaUSAideologymedia studiesfilm studiesspyenemy
collection DOAJ
language Russian
format Article
sources DOAJ
author Alexander Fedorov
spellingShingle Alexander Fedorov
The Image of Russia on the Western Screen: the Present Stage (1992–2013)
Evropejskij Issledovatelʹ
cold war
Western films
screen
image of Russia
USA
ideology
media studies
film studies
spy
enemy
author_facet Alexander Fedorov
author_sort Alexander Fedorov
title The Image of Russia on the Western Screen: the Present Stage (1992–2013)
title_short The Image of Russia on the Western Screen: the Present Stage (1992–2013)
title_full The Image of Russia on the Western Screen: the Present Stage (1992–2013)
title_fullStr The Image of Russia on the Western Screen: the Present Stage (1992–2013)
title_full_unstemmed The Image of Russia on the Western Screen: the Present Stage (1992–2013)
title_sort image of russia on the western screen: the present stage (1992–2013)
publisher Academic Publishing House Researcher
series Evropejskij Issledovatelʹ
issn 2219-8229
2224-0136
publishDate 2013-01-01
description This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992–2013 is still treated as an image of something, “alien”, “different”, often hostile
topic cold war
Western films
screen
image of Russia
USA
ideology
media studies
film studies
spy
enemy
url http://www.erjournal.ru/pdf.html?n=1367687734.pdf
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