The Image of Russia on the Western Screen: the Present Stage (1992–2013)
This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ model...
Main Author: | |
---|---|
Format: | Article |
Language: | Russian |
Published: |
Academic Publishing House Researcher
2013-01-01
|
Series: | Evropejskij Issledovatelʹ |
Subjects: | |
Online Access: | http://www.erjournal.ru/pdf.html?n=1367687734.pdf |
id |
doaj-8ab3cb1065e14465be156a5745a037d2 |
---|---|
record_format |
Article |
spelling |
doaj-8ab3cb1065e14465be156a5745a037d22020-11-24T20:46:48ZrusAcademic Publishing House ResearcherEvropejskij Issledovatelʹ2219-82292224-01362013-01-01474-310511064The Image of Russia on the Western Screen: the Present Stage (1992–2013)Alexander FedorovThis article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992–2013 is still treated as an image of something, “alien”, “different”, often hostilehttp://www.erjournal.ru/pdf.html?n=1367687734.pdfcold warWestern filmsscreenimage of RussiaUSAideologymedia studiesfilm studiesspyenemy |
collection |
DOAJ |
language |
Russian |
format |
Article |
sources |
DOAJ |
author |
Alexander Fedorov |
spellingShingle |
Alexander Fedorov The Image of Russia on the Western Screen: the Present Stage (1992–2013) Evropejskij Issledovatelʹ cold war Western films screen image of Russia USA ideology media studies film studies spy enemy |
author_facet |
Alexander Fedorov |
author_sort |
Alexander Fedorov |
title |
The Image of Russia on the Western Screen: the Present Stage (1992–2013) |
title_short |
The Image of Russia on the Western Screen: the Present Stage (1992–2013) |
title_full |
The Image of Russia on the Western Screen: the Present Stage (1992–2013) |
title_fullStr |
The Image of Russia on the Western Screen: the Present Stage (1992–2013) |
title_full_unstemmed |
The Image of Russia on the Western Screen: the Present Stage (1992–2013) |
title_sort |
image of russia on the western screen: the present stage (1992–2013) |
publisher |
Academic Publishing House Researcher |
series |
Evropejskij Issledovatelʹ |
issn |
2219-8229 2224-0136 |
publishDate |
2013-01-01 |
description |
This article included the analysis of evolution Russian image representation on the Western (USA, UK, Germany, Canada, France, Italy) screen – of the period of post-communist modern times (1992-2013): ideological and social trends, myths, stereotypes, illusions, classification of the contents’ models and modifications of genres. The main conclusion: the image of Russia in the majority of the Western fiction films of 1992–2013 is still treated as an image of something, “alien”, “different”, often hostile |
topic |
cold war Western films screen image of Russia USA ideology media studies film studies spy enemy |
url |
http://www.erjournal.ru/pdf.html?n=1367687734.pdf |
work_keys_str_mv |
AT alexanderfedorov theimageofrussiaonthewesternscreenthepresentstage19922013 AT alexanderfedorov imageofrussiaonthewesternscreenthepresentstage19922013 |
_version_ |
1716811418085359616 |