Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice

Theory dissemination in design can be labelled with what Rittel and Webber called a “wicked problem”. Design educators do not only struggle with the vague ontology of their discipline, but also with the fact that basic conjectures are seldom made explicit, which impedes possibilities for teaching d...

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Main Authors: Veronika Reichl, Maria Martina Keitsch
Format: Article
Language:Danish
Published: Formakademisk, Oslo 2013-01-01
Series:FORMakademisk
Subjects:
Online Access:https://journals.hioa.no/index.php/formakademisk/article/view/500
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spelling doaj-8a5c80638ada462a896839058f9c38712020-11-24T20:53:34ZdanFormakademisk, OsloFORMakademisk1890-95152013-01-015210.7577/formakademisk.500347Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practiceVeronika ReichlMaria Martina Keitsch0Associate Professor, dr.philos Norwegian University of Science and Technology, Department of Product Design Theory dissemination in design can be labelled with what Rittel and Webber called a “wicked problem”. Design educators do not only struggle with the vague ontology of their discipline, but also with the fact that basic conjectures are seldom made explicit, which impedes possibilities for teaching design theory to students. This article addresses the question of how to facilitate theoretical understanding in design with the help of visualization through artistic practice. Following the introduction, which provides reasons for teaching philosophy in design at any rate, the second section presents features of a philosophy introduction course at the Oslo School of Architecture and Design (AHO). Section three introduces an experimental project on visualization through artistic practice conducted in this course in 2010. Section four presents project results by evaluating the students’ experiences. Conclusively, section five discusses benefits and challenges of this type of visualization for understanding theory in design. Results are meant to contribute to theory dissemination in the design disciplines. https://journals.hioa.no/index.php/formakademisk/article/view/500design theoryteaching philosophyvisualization of philosophyemotional involvementanimated filmstudents’ understanding of theory
collection DOAJ
language Danish
format Article
sources DOAJ
author Veronika Reichl
Maria Martina Keitsch
spellingShingle Veronika Reichl
Maria Martina Keitsch
Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
FORMakademisk
design theory
teaching philosophy
visualization of philosophy
emotional involvement
animated film
students’ understanding of theory
author_facet Veronika Reichl
Maria Martina Keitsch
author_sort Veronika Reichl
title Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
title_short Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
title_full Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
title_fullStr Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
title_full_unstemmed Pictorial Involvement. Providing access to philosophical texts via visualization through artistic practice
title_sort pictorial involvement. providing access to philosophical texts via visualization through artistic practice
publisher Formakademisk, Oslo
series FORMakademisk
issn 1890-9515
publishDate 2013-01-01
description Theory dissemination in design can be labelled with what Rittel and Webber called a “wicked problem”. Design educators do not only struggle with the vague ontology of their discipline, but also with the fact that basic conjectures are seldom made explicit, which impedes possibilities for teaching design theory to students. This article addresses the question of how to facilitate theoretical understanding in design with the help of visualization through artistic practice. Following the introduction, which provides reasons for teaching philosophy in design at any rate, the second section presents features of a philosophy introduction course at the Oslo School of Architecture and Design (AHO). Section three introduces an experimental project on visualization through artistic practice conducted in this course in 2010. Section four presents project results by evaluating the students’ experiences. Conclusively, section five discusses benefits and challenges of this type of visualization for understanding theory in design. Results are meant to contribute to theory dissemination in the design disciplines.
topic design theory
teaching philosophy
visualization of philosophy
emotional involvement
animated film
students’ understanding of theory
url https://journals.hioa.no/index.php/formakademisk/article/view/500
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