Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar
How to become a làmb (Senegalese wrestling with punches) wrestler in Dakar? Starting from an ethnography based on an “observant participation” method, this article analyzes wrestlers’ “techniques of the self” by focusing on the articulation between discourses and bodily practices. Describing some tr...
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Università degli Studi di Cagliari
2020-07-01
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doaj-8a4283e27f9249f4a8f84d39796f5c072020-11-25T03:15:27ZengUniversità degli Studi di CagliariAnuac2239-625X2020-07-019121123510.7340/anuac2239-625X-40362936Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in DakarFrancesco Fanoli0Ricercatore indipendenteHow to become a làmb (Senegalese wrestling with punches) wrestler in Dakar? Starting from an ethnography based on an “observant participation” method, this article analyzes wrestlers’ “techniques of the self” by focusing on the articulation between discourses and bodily practices. Describing some training situations, we will examine how to identify as a wrestler by embodying the socio-material environment of a écurie (wrestling gym) and in correlation with the current discourses of heroic honor and warrior masculinity in Senegal. Through these descriptions, we will show how the relationships between motility and materiality, at the base of the practitioners’ subjectivation, respond to different regimes of intensity, in which discourses of truth and power relations become more or less binding. We will then propose the hypothesis by which those intensity variations – loosening the effectiveness of self-control and surveillance, leaving space for ludic opportunities and more fluidity in the embodiment of warrior masculinity – can be considered as a flywheel to an active appropriation and a questioning of the wrestler’s normative identity, although more enacted through practice than verbalized.https://ojs.unica.it/index.php/anuac/article/view/4036 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Francesco Fanoli |
spellingShingle |
Francesco Fanoli Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar Anuac |
author_facet |
Francesco Fanoli |
author_sort |
Francesco Fanoli |
title |
Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar |
title_short |
Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar |
title_full |
Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar |
title_fullStr |
Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar |
title_full_unstemmed |
Regimes of intensity and techniques of the self: Ethnography of <em>làmb</em> training in Dakar |
title_sort |
regimes of intensity and techniques of the self: ethnography of <em>làmb</em> training in dakar |
publisher |
Università degli Studi di Cagliari |
series |
Anuac |
issn |
2239-625X |
publishDate |
2020-07-01 |
description |
How to become a làmb (Senegalese wrestling with punches) wrestler in Dakar? Starting from an ethnography based on an “observant participation” method, this article analyzes wrestlers’ “techniques of the self” by focusing on the articulation between discourses and bodily practices. Describing some training situations, we will examine how to identify as a wrestler by embodying the socio-material environment of a écurie (wrestling gym) and in correlation with the current discourses of heroic honor and warrior masculinity in Senegal. Through these descriptions, we will show how the relationships between motility and materiality, at the base of the practitioners’ subjectivation, respond to different regimes of intensity, in which discourses of truth and power relations become more or less binding. We will then propose the hypothesis by which those intensity variations – loosening the effectiveness of self-control and surveillance, leaving space for ludic opportunities and more fluidity in the embodiment of warrior masculinity – can be considered as a flywheel to an active appropriation and a questioning of the wrestler’s normative identity, although more enacted through practice than verbalized. |
url |
https://ojs.unica.it/index.php/anuac/article/view/4036 |
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