Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró

<p>Spain in the last decades of Franco, the author song became a vehicle of expression against the established system. The voice of the troubadours of the twentieth century was popular tool cohesion by which it was adopted a particular social ethics and politically compromised position. Around...

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Main Author: Juan Garzón Gómez
Format: Article
Language:Spanish
Published: Universidad de Granada 2016-12-01
Series:Cuadernos de Arte de la Universidad de Granada
Subjects:
Online Access:http://revistaseug.ugr.es/index.php/caug/article/view/5425
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spelling doaj-89918fac31de42afa91603ce20b7f51f2020-11-25T01:06:27ZspaUniversidad de GranadaCuadernos de Arte de la Universidad de Granada0210-962X2445-45672016-12-0147075944603Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-MiróJuan Garzón Gómez0Universidad de Granada<p>Spain in the last decades of Franco, the author song became a vehicle of expression against the established system. The voice of the troubadours of the twentieth century was popular tool cohesion by which it was adopted a particular social ethics and politically compromised position. Around this genre there was an important cultural movement which were not outside the arts. This article is an approach to the relationship between the creations of singerwriters and painters through the involvement of the latter as illustrators of record folders of the time.</p>http://revistaseug.ugr.es/index.php/caug/article/view/5425Canción de autorCarátulas discográficasRelación plástica y canciónPintores y cantautoresDiseño gráficoPintura contemporánea
collection DOAJ
language Spanish
format Article
sources DOAJ
author Juan Garzón Gómez
spellingShingle Juan Garzón Gómez
Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
Cuadernos de Arte de la Universidad de Granada
Canción de autor
Carátulas discográficas
Relación plástica y canción
Pintores y cantautores
Diseño gráfico
Pintura contemporánea
author_facet Juan Garzón Gómez
author_sort Juan Garzón Gómez
title Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
title_short Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
title_full Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
title_fullStr Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
title_full_unstemmed Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró
title_sort author’s song and plastic in franco’s decline: paco ibáñez/dalí-raimon/ equipo crónica-miró
publisher Universidad de Granada
series Cuadernos de Arte de la Universidad de Granada
issn 0210-962X
2445-4567
publishDate 2016-12-01
description <p>Spain in the last decades of Franco, the author song became a vehicle of expression against the established system. The voice of the troubadours of the twentieth century was popular tool cohesion by which it was adopted a particular social ethics and politically compromised position. Around this genre there was an important cultural movement which were not outside the arts. This article is an approach to the relationship between the creations of singerwriters and painters through the involvement of the latter as illustrators of record folders of the time.</p>
topic Canción de autor
Carátulas discográficas
Relación plástica y canción
Pintores y cantautores
Diseño gráfico
Pintura contemporánea
url http://revistaseug.ugr.es/index.php/caug/article/view/5425
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