The Art Market and Politics: The Case of the Sigg Collection

On 13 June 2012 the Swiss collector Uli Sigg donated his collection of contemporary Chinese art to the new museum of visual art in Hong Kong: M+. In August 2012 Artprice published its report on contemporary art for July 2011 to June 2012 announcing that five out of the ten contemporary artists fetch...

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Main Author: Nicola Foster
Format: Article
Language:English
Published: Forum Kunst und Markt 2019-05-01
Series:Journal for Art Market Studies
Subjects:
Online Access:https://fokum-jams.org/index.php/jams/article/view/85
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spelling doaj-897b0ed93c5f495a97c3a3093dd8e44e2020-11-25T01:57:23ZengForum Kunst und MarktJournal for Art Market Studies2511-76022019-05-013110.23690/jams.v3i1.8566The Art Market and Politics: The Case of the Sigg CollectionNicola Foster0Solent University, SouthamptonOn 13 June 2012 the Swiss collector Uli Sigg donated his collection of contemporary Chinese art to the new museum of visual art in Hong Kong: M+. In August 2012 Artprice published its report on contemporary art for July 2011 to June 2012 announcing that five out of the ten contemporary artists fetching highest prices at auction, were Chinese. On 29 November 2012 Xi Jinping delivered his first speech after taking office in which he set out his vision for China. This paper argues that in order to understand the Chinese art market and the political context in which it operates it helps to look at three events which took place in 2012 and their context. Art, the art market and politics are closely interconnected here. The case study of M+ and its foundational donation, the Sigg collection of “contemporary Chinese art”, helps to elucidate the relationships and the astonishing developments of the art market in China and Hong Kong during this time.https://fokum-jams.org/index.php/jams/article/view/85Art Market, Collectors, Museums, M+
collection DOAJ
language English
format Article
sources DOAJ
author Nicola Foster
spellingShingle Nicola Foster
The Art Market and Politics: The Case of the Sigg Collection
Journal for Art Market Studies
Art Market, Collectors, Museums, M+
author_facet Nicola Foster
author_sort Nicola Foster
title The Art Market and Politics: The Case of the Sigg Collection
title_short The Art Market and Politics: The Case of the Sigg Collection
title_full The Art Market and Politics: The Case of the Sigg Collection
title_fullStr The Art Market and Politics: The Case of the Sigg Collection
title_full_unstemmed The Art Market and Politics: The Case of the Sigg Collection
title_sort art market and politics: the case of the sigg collection
publisher Forum Kunst und Markt
series Journal for Art Market Studies
issn 2511-7602
publishDate 2019-05-01
description On 13 June 2012 the Swiss collector Uli Sigg donated his collection of contemporary Chinese art to the new museum of visual art in Hong Kong: M+. In August 2012 Artprice published its report on contemporary art for July 2011 to June 2012 announcing that five out of the ten contemporary artists fetching highest prices at auction, were Chinese. On 29 November 2012 Xi Jinping delivered his first speech after taking office in which he set out his vision for China. This paper argues that in order to understand the Chinese art market and the political context in which it operates it helps to look at three events which took place in 2012 and their context. Art, the art market and politics are closely interconnected here. The case study of M+ and its foundational donation, the Sigg collection of “contemporary Chinese art”, helps to elucidate the relationships and the astonishing developments of the art market in China and Hong Kong during this time.
topic Art Market, Collectors, Museums, M+
url https://fokum-jams.org/index.php/jams/article/view/85
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