The Three Strands: establishment of a methodological tripod for artistic creation process
The present article, highlights the visual experience as a paradigm in the research process of the history of art, which will converge in contemporary times into a self-consciousness of the artist himself, in which he himself begins to make a philosophy from his own work. From this point, we propose...
Main Author: | Marcillene Ladeira |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidade Federal do Rio Grande do Sul
2017-12-01
|
Series: | Revista Gearte |
Subjects: | |
Online Access: | https://seer.ufrgs.br/gearte/article/view/75003 |
Similar Items
-
Elaborar um trabalho de conclusão de curso em Artes Visuias: modo de usar em algumas notas
by: Mariana Silva da Silva
Published: (2015-07-01) -
CRUZAMENTOS GRaFICOS. LABORATÓRIO DE IMAGENS IMPRESSAS E PROJETADAS
by: Beatriz Rauscher
Published: (2009-10-01) -
Senhora da encruzilhada : perspectivas dialógicas da dança com o audiovisual
by: Gualter, Katya Souza, 1963-
Published: (2014) -
Língua morta
by: Ana Luiza Dias Batista
Published: (2014) -
Língua morta
by: Batista, Ana Luiza Dias
Published: (2014)