The Three Strands: establishment of a methodological tripod for artistic creation process
The present article, highlights the visual experience as a paradigm in the research process of the history of art, which will converge in contemporary times into a self-consciousness of the artist himself, in which he himself begins to make a philosophy from his own work. From this point, we propose...
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Universidade Federal do Rio Grande do Sul
2017-12-01
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doaj-896b9e9658da4b87afbcb47a0377eb4e2021-07-01T16:00:59ZengUniversidade Federal do Rio Grande do SulRevista Gearte2357-98542017-12-014310.22456/2357-9854.7500335910The Three Strands: establishment of a methodological tripod for artistic creation processMarcillene Ladeira0Universidade Federal da Bahia — UFBA, Salvador/BAThe present article, highlights the visual experience as a paradigm in the research process of the history of art, which will converge in contemporary times into a self-consciousness of the artist himself, in which he himself begins to make a philosophy from his own work. From this point, we proposed the creation of a methodological tripod, called the Three strands methods, applied to the teaching of Visual Poetics in a university environment, being consolidated from a design that elucidates the relation "object-subject-means". To this end, explore an interaction between theories that involve artistic doing, the concept of knowledge and a physical science, with regard to the understanding of gravitational field and lines of force.https://seer.ufrgs.br/gearte/article/view/75003pesquisa em poéticas visuais. cultura visual. metodologia de ensino. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marcillene Ladeira |
spellingShingle |
Marcillene Ladeira The Three Strands: establishment of a methodological tripod for artistic creation process Revista Gearte pesquisa em poéticas visuais. cultura visual. metodologia de ensino. |
author_facet |
Marcillene Ladeira |
author_sort |
Marcillene Ladeira |
title |
The Three Strands: establishment of a methodological tripod for artistic creation process |
title_short |
The Three Strands: establishment of a methodological tripod for artistic creation process |
title_full |
The Three Strands: establishment of a methodological tripod for artistic creation process |
title_fullStr |
The Three Strands: establishment of a methodological tripod for artistic creation process |
title_full_unstemmed |
The Three Strands: establishment of a methodological tripod for artistic creation process |
title_sort |
three strands: establishment of a methodological tripod for artistic creation process |
publisher |
Universidade Federal do Rio Grande do Sul |
series |
Revista Gearte |
issn |
2357-9854 |
publishDate |
2017-12-01 |
description |
The present article, highlights the visual experience as a paradigm in the research process of the history of art, which will converge in contemporary times into a self-consciousness of the artist himself, in which he himself begins to make a philosophy from his own work. From this point, we proposed the creation of a methodological tripod, called the Three strands methods, applied to the teaching of Visual Poetics in a university environment, being consolidated from a design that elucidates the relation "object-subject-means". To this end, explore an interaction between theories that involve artistic doing, the concept of knowledge and a physical science, with regard to the understanding of gravitational field and lines of force. |
topic |
pesquisa em poéticas visuais. cultura visual. metodologia de ensino. |
url |
https://seer.ufrgs.br/gearte/article/view/75003 |
work_keys_str_mv |
AT marcilleneladeira thethreestrandsestablishmentofamethodologicaltripodforartisticcreationprocess AT marcilleneladeira threestrandsestablishmentofamethodologicaltripodforartisticcreationprocess |
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