Barra brava, culture, violence and society: the world of soccer fans as representation
This article’s main objective is to show the social representations of the Barón Rojo Sur soccer fan club (barra brava) built by their members as well as by members of the community (residents of the area, merchants, and the media) and representative institutions (the police, education institutions,...
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2015-10-01
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doaj-88e0bbf51ce6455fafb6592d89760dab2020-11-25T01:31:12ZspaUniversidad del ValleProspectiva0122-12132389-993X2015-10-012016319110.25100/prts.v0i20.938Barra brava, culture, violence and society: the world of soccer fans as representationLuisa Fernanda Miranda-Bastidas0Ingrid Vanessa Urrego-Sáez1Diana Carolina Vera-Erazo2Universidad del Valle. Cali, Colombia.Universidad del Valle. Cali, Colombia.Universidad del Valle. Cali, Colombia.This article’s main objective is to show the social representations of the Barón Rojo Sur soccer fan club (barra brava) built by their members as well as by members of the community (residents of the area, merchants, and the media) and representative institutions (the police, education institutions, the Major’s Office, the church) in Santiago de Cali. To do so, emphasis will be placed on the social representations that relate violence to this youth subculture, focusing the discussion on the elements of organizational dynamics, the symbolic expression that prevail within this organization, and its social manifestations. This research showed that, through a share discourse, a great part of the community and institutional actors homogenize the members of the barra brava due to their transgressive practices, while a minority of external actors and members of Barón Rojo Sur recognize it as a social space where they build their collective identity. http://revistaprospectiva.univalle.edu.co/index.php/prospectiva/%20article%20/view%20/938barra bravayouth subculturesocial representationsviolence |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Luisa Fernanda Miranda-Bastidas Ingrid Vanessa Urrego-Sáez Diana Carolina Vera-Erazo |
spellingShingle |
Luisa Fernanda Miranda-Bastidas Ingrid Vanessa Urrego-Sáez Diana Carolina Vera-Erazo Barra brava, culture, violence and society: the world of soccer fans as representation Prospectiva barra brava youth subculture social representations violence |
author_facet |
Luisa Fernanda Miranda-Bastidas Ingrid Vanessa Urrego-Sáez Diana Carolina Vera-Erazo |
author_sort |
Luisa Fernanda Miranda-Bastidas |
title |
Barra brava, culture, violence and society: the world of soccer fans as representation |
title_short |
Barra brava, culture, violence and society: the world of soccer fans as representation |
title_full |
Barra brava, culture, violence and society: the world of soccer fans as representation |
title_fullStr |
Barra brava, culture, violence and society: the world of soccer fans as representation |
title_full_unstemmed |
Barra brava, culture, violence and society: the world of soccer fans as representation |
title_sort |
barra brava, culture, violence and society: the world of soccer fans as representation |
publisher |
Universidad del Valle |
series |
Prospectiva |
issn |
0122-1213 2389-993X |
publishDate |
2015-10-01 |
description |
This article’s main objective is to show the social representations of the Barón Rojo Sur soccer fan club (barra brava) built by their members as well as by members of the community (residents of the area, merchants, and the media) and representative institutions (the police, education institutions, the Major’s Office, the church) in Santiago de Cali.
To do so, emphasis will be placed on the social representations that relate violence to this youth subculture, focusing the discussion on the elements of organizational dynamics, the symbolic expression that prevail within this organization, and its social manifestations. This research showed that, through a share discourse, a great part of the community and institutional actors homogenize the members of the barra brava due to their transgressive practices, while a minority of external actors and members of Barón Rojo Sur recognize it as a social space where they build their collective identity.
|
topic |
barra brava youth subculture social representations violence |
url |
http://revistaprospectiva.univalle.edu.co/index.php/prospectiva/%20article%20/view%20/938 |
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