Sound effects as a genre-defining factor in submarine films
Submarine films can be regarded as a genre with a specific semantic and syntactical structure that heavily depends on the acoustemological nature of submarine warfare. The sound design in submarine films therefore has decisive dramatic and emotive functions. The article presents the sound effects mo...
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Sammenslutningen af Medieforskere i Danmark (SMID)
2009-09-01
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Series: | MedieKultur: Journal of Media and Communication Research |
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Online Access: | http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/2117 |
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doaj-88d30609ddf64b96bfef2851feb78dc92020-11-24T23:20:09ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262009-09-0126481927Sound effects as a genre-defining factor in submarine filmsLinda Maria Koldau0Århus UniversitetSubmarine films can be regarded as a genre with a specific semantic and syntactical structure that heavily depends on the acoustemological nature of submarine warfare. The sound design in submarine films therefore has decisive dramatic and emotive functions. The article presents the sound effects most specific to submarine films and discusses the creative potential they offer both as diegetic sounds bound to submarine existence and as emotive cues with an immediate effect on the audience.http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/2117submarinessound designDas BootHunt for Red OctoberHostile Waters |
collection |
DOAJ |
language |
Danish |
format |
Article |
sources |
DOAJ |
author |
Linda Maria Koldau |
spellingShingle |
Linda Maria Koldau Sound effects as a genre-defining factor in submarine films MedieKultur: Journal of Media and Communication Research submarines sound design Das Boot Hunt for Red October Hostile Waters |
author_facet |
Linda Maria Koldau |
author_sort |
Linda Maria Koldau |
title |
Sound effects as a genre-defining factor in submarine films |
title_short |
Sound effects as a genre-defining factor in submarine films |
title_full |
Sound effects as a genre-defining factor in submarine films |
title_fullStr |
Sound effects as a genre-defining factor in submarine films |
title_full_unstemmed |
Sound effects as a genre-defining factor in submarine films |
title_sort |
sound effects as a genre-defining factor in submarine films |
publisher |
Sammenslutningen af Medieforskere i Danmark (SMID) |
series |
MedieKultur: Journal of Media and Communication Research |
issn |
0900-9671 1901-9726 |
publishDate |
2009-09-01 |
description |
Submarine films can be regarded as a genre with a specific semantic and syntactical structure that heavily depends on the acoustemological nature of submarine warfare. The sound design in submarine films therefore has decisive dramatic and emotive functions. The article presents the sound effects most specific to submarine films and discusses the creative potential they offer both as diegetic sounds bound to submarine existence and as emotive cues with an immediate effect on the audience. |
topic |
submarines sound design Das Boot Hunt for Red October Hostile Waters |
url |
http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/2117 |
work_keys_str_mv |
AT lindamariakoldau soundeffectsasagenredefiningfactorinsubmarinefilms |
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1725575702617522176 |