Pintu terlarang A disconcerting spatial interpretation of urban dystopia
The main character of the film Pintu terlarang (The forbidden door), Gambir, attains success in the art world by making statues of pregnant women. Part of his creative process is to insert dead foetuses into the wombs of the statues. His troubled soul meets a written request for help by a child he e...
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| Format: | Article |
| Language: | English |
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University of Indonesia
2012-04-01
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| Series: | Wacana: Journal of the Humanities of Indonesia |
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| Online Access: | http://wacana.ui.ac.id/index.php/wjhi/article/view/49 |