Paratextual Activity: Updating the Genettian approach within the transmedia turn

Fictional transmedia universes have been the objects of communication research throughout the last ten years. There has been such a proliferation of these universes that it can be argued that a ‘transmedia turn’ has occurred in research on the narratives of the early 21st century. This has generated...

Full description

Bibliographic Details
Main Author: Raúl Rodríguez-Ferrándiz
Format: Article
Language:English
Published: Universidad de Navarra 2017-01-01
Series:Communication & Society (Formerly Comunicación y Sociedad)
Subjects:
Online Access:https://revistas.unav.edu/index.php/communication-and-society/article/view/35800
id doaj-88871a3065c2469ca271ffd1596e559f
record_format Article
spelling doaj-88871a3065c2469ca271ffd1596e559f2021-03-18T08:31:22ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762017-01-0130116518210.15581/003.30.1.165-18235800Paratextual Activity: Updating the Genettian approach within the transmedia turnRaúl Rodríguez-Ferrándiz0University of Alicante. Fictional transmedia universes have been the objects of communication research throughout the last ten years. There has been such a proliferation of these universes that it can be argued that a ‘transmedia turn’ has occurred in research on the narratives of the early 21st century. This has generated interest in avant la lettre transmedia universes, i.e., not only those universes created after The Matrix and The Blair Witch Project, but even those created after The Wizard of Oz and The Lone Ranger. In parallel, the phenomenon has shed new light on the theoretical bases of transmediality. This article argues that this transmedia turn has been the cause of the revitalization of the Genettian concept of paratext, an intertextual modality found in the fuzzy threshold that exists between the diegetic and non-diegetic worlds, between products and by-products, between monomedia and transmedia, between ownership and creative freedom, and between content and promotional material. This article describes and compares the modulations suffered by paratextuality through the authors who have resumed and extended the reach of the Genettian term, and illustrates them with examples taken from official paratexts of recent transmedia fictional franchises.https://revistas.unav.edu/index.php/communication-and-society/article/view/35800paratextgenettetransmedia storytellingnarrativeintertextualitytelevision series
collection DOAJ
language English
format Article
sources DOAJ
author Raúl Rodríguez-Ferrándiz
spellingShingle Raúl Rodríguez-Ferrándiz
Paratextual Activity: Updating the Genettian approach within the transmedia turn
Communication & Society (Formerly Comunicación y Sociedad)
paratext
genette
transmedia storytelling
narrative
intertextuality
television series
author_facet Raúl Rodríguez-Ferrándiz
author_sort Raúl Rodríguez-Ferrándiz
title Paratextual Activity: Updating the Genettian approach within the transmedia turn
title_short Paratextual Activity: Updating the Genettian approach within the transmedia turn
title_full Paratextual Activity: Updating the Genettian approach within the transmedia turn
title_fullStr Paratextual Activity: Updating the Genettian approach within the transmedia turn
title_full_unstemmed Paratextual Activity: Updating the Genettian approach within the transmedia turn
title_sort paratextual activity: updating the genettian approach within the transmedia turn
publisher Universidad de Navarra
series Communication & Society (Formerly Comunicación y Sociedad)
issn 2386-7876
publishDate 2017-01-01
description Fictional transmedia universes have been the objects of communication research throughout the last ten years. There has been such a proliferation of these universes that it can be argued that a ‘transmedia turn’ has occurred in research on the narratives of the early 21st century. This has generated interest in avant la lettre transmedia universes, i.e., not only those universes created after The Matrix and The Blair Witch Project, but even those created after The Wizard of Oz and The Lone Ranger. In parallel, the phenomenon has shed new light on the theoretical bases of transmediality. This article argues that this transmedia turn has been the cause of the revitalization of the Genettian concept of paratext, an intertextual modality found in the fuzzy threshold that exists between the diegetic and non-diegetic worlds, between products and by-products, between monomedia and transmedia, between ownership and creative freedom, and between content and promotional material. This article describes and compares the modulations suffered by paratextuality through the authors who have resumed and extended the reach of the Genettian term, and illustrates them with examples taken from official paratexts of recent transmedia fictional franchises.
topic paratext
genette
transmedia storytelling
narrative
intertextuality
television series
url https://revistas.unav.edu/index.php/communication-and-society/article/view/35800
work_keys_str_mv AT raulrodriguezferrandiz paratextualactivityupdatingthegenettianapproachwithinthetransmediaturn
_version_ 1724216346014646272