The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957

Objective: to analyze the use given to the image of Gustavo Rojas Pinilla for the regime’s propaganda during the time of his dictatorship: June 13th 1953 to May 10th 1957. Methodology: qualitative from a documentary strategy (archives, press and official publications). Images from Gustavo Rojas Pini...

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Main Author: Ana Lucía García-Villamarín
Format: Article
Language:Spanish
Published: Universidad Católica Luis Amigó 2017-07-01
Series:Revista Colombiana de Ciencias Sociales
Subjects:
Online Access:http://www.funlam.edu.co/revistas/index.php/RCCS/article/view/2023
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spelling doaj-88813d13376a4b3797e12c2e13052f662020-11-25T00:08:12ZspaUniversidad Católica Luis AmigóRevista Colombiana de Ciencias Sociales2216-12012017-07-018231133310.21501/22161201.20231645The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957Ana Lucía García-Villamarín0Universidad Pedagógica y Tecnológica de ColombiaObjective: to analyze the use given to the image of Gustavo Rojas Pinilla for the regime’s propaganda during the time of his dictatorship: June 13th 1953 to May 10th 1957. Methodology: qualitative from a documentary strategy (archives, press and official publications). Images from Gustavo Rojas Pinilla, that were produced or published in the studied period were selected, same that were then described, analyzed and interpreted. Results: from the beginning of the dictatorship, Gustavo Rojas Pinilla used his image as propaganda for the political régime to create popular consensus through references to peace and progress, which lead to a populist iconography that purposefully used images of Simón Bolívar and Jesus Christ. The strategy was applied by the Office for the State’s Information and Propaganda (Oficina de Información y Propaganda del Estado (ODIPE) in Colombia and, in a way, internationally supported by the Hamilton Wright Organization. Conclusions: even if the publication of his image was done by force, its use as political propaganda in the dictatorship worked out for the moment, as it was designed to impact on several sectors of society who were mostly illiterate. © Revista Colombiana de Ciencias Sociales.http://www.funlam.edu.co/revistas/index.php/RCCS/article/view/2023ImagenIconografíaPropagandaComunicación PolíticaDictadura
collection DOAJ
language Spanish
format Article
sources DOAJ
author Ana Lucía García-Villamarín
spellingShingle Ana Lucía García-Villamarín
The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
Revista Colombiana de Ciencias Sociales
Imagen
Iconografía
Propaganda
Comunicación Política
Dictadura
author_facet Ana Lucía García-Villamarín
author_sort Ana Lucía García-Villamarín
title The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
title_short The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
title_full The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
title_fullStr The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
title_full_unstemmed The image of Gustavo Rojas Pinilla in political propaganda during the military dictatorship, Colombia 1953-1957
title_sort image of gustavo rojas pinilla in political propaganda during the military dictatorship, colombia 1953-1957
publisher Universidad Católica Luis Amigó
series Revista Colombiana de Ciencias Sociales
issn 2216-1201
publishDate 2017-07-01
description Objective: to analyze the use given to the image of Gustavo Rojas Pinilla for the regime’s propaganda during the time of his dictatorship: June 13th 1953 to May 10th 1957. Methodology: qualitative from a documentary strategy (archives, press and official publications). Images from Gustavo Rojas Pinilla, that were produced or published in the studied period were selected, same that were then described, analyzed and interpreted. Results: from the beginning of the dictatorship, Gustavo Rojas Pinilla used his image as propaganda for the political régime to create popular consensus through references to peace and progress, which lead to a populist iconography that purposefully used images of Simón Bolívar and Jesus Christ. The strategy was applied by the Office for the State’s Information and Propaganda (Oficina de Información y Propaganda del Estado (ODIPE) in Colombia and, in a way, internationally supported by the Hamilton Wright Organization. Conclusions: even if the publication of his image was done by force, its use as political propaganda in the dictatorship worked out for the moment, as it was designed to impact on several sectors of society who were mostly illiterate. © Revista Colombiana de Ciencias Sociales.
topic Imagen
Iconografía
Propaganda
Comunicación Política
Dictadura
url http://www.funlam.edu.co/revistas/index.php/RCCS/article/view/2023
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