La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa

The aim of this work, taking into account the last critical lesson of C.A. Madrignani, is to reflect upon how Sicily has become, through literature, a metaphor of the national political condition, and how it paradigmatically represents the inability of Italy to change. More precisely its purpose is...

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Main Author: Alessio Giannanti
Format: Article
Language:Catalan
Published: Adam Mickiewicz University 2014-01-01
Series:Studia Romanica Posnaniensia
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/srp/article/view/773
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spelling doaj-886d700a6d89432496fdcd9884f396382021-08-02T09:26:59ZcatAdam Mickiewicz UniversityStudia Romanica Posnaniensia0137-24752084-41582014-01-01414476010.14746/strop2014.414.005751La Sicilia come metafora: Federico De Roberto e Tomasi di LampedusaAlessio GiannantiThe aim of this work, taking into account the last critical lesson of C.A. Madrignani, is to reflect upon how Sicily has become, through literature, a metaphor of the national political condition, and how it paradigmatically represents the inability of Italy to change. More precisely its purpose is to investigate the contribution to the construction of national identity of authors like F. De Roberto and G. Tommasi di Lampedusa, whose “anti-historical” works are characterized by a desecrating description (sometimes even polemical) of the unification process of Italy. Even this illusory contradiction is part of the dimension referred to by Madrignani as the Sicily effect on Italian literature. In Viceré and Imperio (and even in the war novellas) De Roberto bluntly depicts Italian history as a fierce fight for power, where human egoism prevails, which, according to a pessimistic philosophy, denies any affirmation of positive values.http://pressto.amu.edu.pl/index.php/srp/article/view/773De RobertoLampedusaMadrignanihistorypessimism
collection DOAJ
language Catalan
format Article
sources DOAJ
author Alessio Giannanti
spellingShingle Alessio Giannanti
La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
Studia Romanica Posnaniensia
De Roberto
Lampedusa
Madrignani
history
pessimism
author_facet Alessio Giannanti
author_sort Alessio Giannanti
title La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
title_short La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
title_full La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
title_fullStr La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
title_full_unstemmed La Sicilia come metafora: Federico De Roberto e Tomasi di Lampedusa
title_sort la sicilia come metafora: federico de roberto e tomasi di lampedusa
publisher Adam Mickiewicz University
series Studia Romanica Posnaniensia
issn 0137-2475
2084-4158
publishDate 2014-01-01
description The aim of this work, taking into account the last critical lesson of C.A. Madrignani, is to reflect upon how Sicily has become, through literature, a metaphor of the national political condition, and how it paradigmatically represents the inability of Italy to change. More precisely its purpose is to investigate the contribution to the construction of national identity of authors like F. De Roberto and G. Tommasi di Lampedusa, whose “anti-historical” works are characterized by a desecrating description (sometimes even polemical) of the unification process of Italy. Even this illusory contradiction is part of the dimension referred to by Madrignani as the Sicily effect on Italian literature. In Viceré and Imperio (and even in the war novellas) De Roberto bluntly depicts Italian history as a fierce fight for power, where human egoism prevails, which, according to a pessimistic philosophy, denies any affirmation of positive values.
topic De Roberto
Lampedusa
Madrignani
history
pessimism
url http://pressto.amu.edu.pl/index.php/srp/article/view/773
work_keys_str_mv AT alessiogiannanti lasiciliacomemetaforafedericoderobertoetomasidilampedusa
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