A castração de Noé: Iconografia, folclore e feudalismo
The present work is basal on iconographic studies. Paying close attention to questions relative to the Middle Ages, this text is concerned with the character of the images during Ihat time period. Especially approached are Noah's subcycle which composes the great pictorial "velero-testamen...
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| Format: | Article |
| Language: | Portuguese |
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Universidade de São Paulo
1992-07-01
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| Series: | Revista de História |
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| Online Access: | http://www.revistas.usp.br/revhistoria/article/view/18662 |
| Summary: | The present work is basal on iconographic studies. Paying close attention to questions relative to the Middle Ages, this text is concerned with the character of the images during Ihat time period. Especially approached are Noah's subcycle which composes the great pictorial "velero-testamentario" panel of Sainl-Saivin and the thematic focus of the Jewish traditions identified in the eight scenes about Noah. A hypothetical reading about Noah's castration is evoked with psychoanalytical basis. Questions about the basis of erudite and popular he basis of erudite and popular culture and about the work are part of the central preoccupations of this study. |
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| ISSN: | 0034-8309 2316-9141 |