Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla

This article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these pl...

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Main Author: Amélie Djondo Drouet
Format: Article
Language:Spanish
Published: Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne 2021-02-01
Series:E-Spania
Subjects:
Online Access:http://journals.openedition.org/e-spania/39130
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spelling doaj-88027683f62c46fda2d3d133f6bcdd102021-04-08T14:49:05ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61692021-02-013810.4000/e-spania.39130Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas ZorrillaAmélie Djondo DrouetThis article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these plays, the Queens Jezabel and Rosamund, both guilty of murder, manipulate and play with a complex judicial system, invoking unthruthful and slanderous trials. Finally, once the false trials are revealed, the real trials begin, introducing a sincere reflection on the subject of royal justice and most particularly, guilt and innocence.http://journals.openedition.org/e-spania/39130murderpowerqueencriminal trialinnocenceguilt
collection DOAJ
language Spanish
format Article
sources DOAJ
author Amélie Djondo Drouet
spellingShingle Amélie Djondo Drouet
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
E-Spania
murder
power
queen
criminal trial
innocence
guilt
author_facet Amélie Djondo Drouet
author_sort Amélie Djondo Drouet
title Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
title_short Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
title_full Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
title_fullStr Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
title_full_unstemmed Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
title_sort culpables e inocentes: el juego de los procesos en dos obras de tirso de molina y de rojas zorrilla
publisher Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
series E-Spania
issn 1951-6169
publishDate 2021-02-01
description This article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these plays, the Queens Jezabel and Rosamund, both guilty of murder, manipulate and play with a complex judicial system, invoking unthruthful and slanderous trials. Finally, once the false trials are revealed, the real trials begin, introducing a sincere reflection on the subject of royal justice and most particularly, guilt and innocence.
topic murder
power
queen
criminal trial
innocence
guilt
url http://journals.openedition.org/e-spania/39130
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