Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla
This article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these pl...
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
2021-02-01
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Online Access: | http://journals.openedition.org/e-spania/39130 |
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doaj-88027683f62c46fda2d3d133f6bcdd102021-04-08T14:49:05ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61692021-02-013810.4000/e-spania.39130Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas ZorrillaAmélie Djondo DrouetThis article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these plays, the Queens Jezabel and Rosamund, both guilty of murder, manipulate and play with a complex judicial system, invoking unthruthful and slanderous trials. Finally, once the false trials are revealed, the real trials begin, introducing a sincere reflection on the subject of royal justice and most particularly, guilt and innocence.http://journals.openedition.org/e-spania/39130murderpowerqueencriminal trialinnocenceguilt |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Amélie Djondo Drouet |
spellingShingle |
Amélie Djondo Drouet Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla E-Spania murder power queen criminal trial innocence guilt |
author_facet |
Amélie Djondo Drouet |
author_sort |
Amélie Djondo Drouet |
title |
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla |
title_short |
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla |
title_full |
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla |
title_fullStr |
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla |
title_full_unstemmed |
Culpables e inocentes: el juego de los procesos en dos obras de Tirso de Molina y de Rojas Zorrilla |
title_sort |
culpables e inocentes: el juego de los procesos en dos obras de tirso de molina y de rojas zorrilla |
publisher |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
series |
E-Spania |
issn |
1951-6169 |
publishDate |
2021-02-01 |
description |
This article reports on the close relationship between the scenes of trials and the trials on stage, which are well illustrated in two plays written at the beginning of the 17th Century La mujer que manda en casa by Tirso de Molina and Morir pensando matar by Francisco de Rojas Zorrilla. In these plays, the Queens Jezabel and Rosamund, both guilty of murder, manipulate and play with a complex judicial system, invoking unthruthful and slanderous trials. Finally, once the false trials are revealed, the real trials begin, introducing a sincere reflection on the subject of royal justice and most particularly, guilt and innocence. |
topic |
murder power queen criminal trial innocence guilt |
url |
http://journals.openedition.org/e-spania/39130 |
work_keys_str_mv |
AT ameliedjondodrouet culpableseinocenteseljuegodelosprocesosendosobrasdetirsodemolinayderojaszorrilla |
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1721535063690051584 |