Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker
Inspired by recent analogies drawn between the Covid-19 pandemic and the early stages of the AIDS epidemic, this essay addresses the ways in which AIDS plays attest to a “sexual distancing”, in particular with reference to Robert Chesley’s Jerker or the Helping Hand. Even though other plays also exp...
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Université Toulouse - Jean Jaurès
2021-04-01
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Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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Online Access: | http://journals.openedition.org/miranda/39689 |
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doaj-86e195fef451438cb6b35e97912e759d2021-05-04T12:07:11ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592021-04-012210.4000/miranda.39689Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s JerkerCharalampos KeivanidisInspired by recent analogies drawn between the Covid-19 pandemic and the early stages of the AIDS epidemic, this essay addresses the ways in which AIDS plays attest to a “sexual distancing”, in particular with reference to Robert Chesley’s Jerker or the Helping Hand. Even though other plays also explore exclusion and stigmatisation, Jerker tackles not only physical sexual distancing but also the displacement of the sexual into the past. Indeed, both characters in Jerker resort systematically to their memory not only to feed their masturbatory fantasies but also to recount, through a process of regression, their homosexual desire down to its most primitive form. Inasmuch as sex acts in it refer exclusively to the past, Jerker (1986) advances a new paradigm that AIDS plays would follow for several years.http://journals.openedition.org/miranda/39689social distancingsexual distancingAIDShomosexual desirememory |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Charalampos Keivanidis |
spellingShingle |
Charalampos Keivanidis Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker Miranda: Revue Pluridisciplinaire du Monde Anglophone social distancing sexual distancing AIDS homosexual desire memory |
author_facet |
Charalampos Keivanidis |
author_sort |
Charalampos Keivanidis |
title |
Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker |
title_short |
Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker |
title_full |
Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker |
title_fullStr |
Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker |
title_full_unstemmed |
Sexual Distancing: Remembrance of Sex Past in Robert Chesley’s Jerker |
title_sort |
sexual distancing: remembrance of sex past in robert chesley’s jerker |
publisher |
Université Toulouse - Jean Jaurès |
series |
Miranda: Revue Pluridisciplinaire du Monde Anglophone |
issn |
2108-6559 |
publishDate |
2021-04-01 |
description |
Inspired by recent analogies drawn between the Covid-19 pandemic and the early stages of the AIDS epidemic, this essay addresses the ways in which AIDS plays attest to a “sexual distancing”, in particular with reference to Robert Chesley’s Jerker or the Helping Hand. Even though other plays also explore exclusion and stigmatisation, Jerker tackles not only physical sexual distancing but also the displacement of the sexual into the past. Indeed, both characters in Jerker resort systematically to their memory not only to feed their masturbatory fantasies but also to recount, through a process of regression, their homosexual desire down to its most primitive form. Inasmuch as sex acts in it refer exclusively to the past, Jerker (1986) advances a new paradigm that AIDS plays would follow for several years. |
topic |
social distancing sexual distancing AIDS homosexual desire memory |
url |
http://journals.openedition.org/miranda/39689 |
work_keys_str_mv |
AT charalamposkeivanidis sexualdistancingremembranceofsexpastinrobertchesleysjerker |
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