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spelling doaj-866de1cfb89542cd9e882abcb792f8d02020-11-24T21:30:40ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-06-011(30)3035THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS VARDANEAN ALIONA0Academy of Music, Theatre and Fine Artsn this article is defined the influence of chamber music on the development of the Piano Concerto and Symphony Orchestra genre in the creation of Moldovan composers in the second half of the 20th and the beginning of the 21st centuries. We consider the processes, characteristic not only of national music, but also of the whole European tradition of composing. They manifest themselves in deepening the psychological aspects of the artistic content, reducing the orchestral composition, giving detail of the musical language, strengthening the role of polyphonic techniques, and so on. These processes are supported by the analysis of the Concerto for Piano and Symphony Orchestra by Zlata Tkach.http://revista.amtap.md/wp-content/files_mf/15101410464._vardanean_%D0%92%D0%9B%D0%98%D0%AF%D0%9D%D0%98%D0%95_%D0%A2%D0%95%D0%9D%D0%94%D0%95%D0%9D%D0%A6%D0%98%D0%98_%D0%9A%D0%90%D0%9C%D0%95%D0%A0%D0%9D%D0%98%D0%97%D0%90%D0%A6%D0%98%D0%98_%D0%9D%D0%90_%D0%96%D0%90%D0%9D%D0%A0_%D0%9A%D0%9E%D0%9D%D0%A6%D0%95%D0%A0%D0%A2%D0%90_%D0%94%D0%9B%D0%AF_%D0%A4%D0%9E%D0%A0%D0%A2%D0%95%D0%9F%D0%98%D0%90%D0%9D%D0%9E_%D0%A1_%D0%9E%D0%A0%D0%9A%D0%95%D0%A1%D0%A2%D0%A0%D0%9E%D0%9C_%D0%92_%D0%A2%D0%92%D0%9E%D0%A0%D0%A7%D0%95%D0%A1%D0%A2%D0%92%D0%95_%D0%9A%D0%9E%D0%9C%D0%9F%D0%9E%D0%97%D0%98%D0%A2%D0%9E%D0%A0%D0%9E%D0%92_%D0%A0%D0%95%D0%A1%D0%9F%D0%A3%D0%91%D0%9B%D0%98%D0%9A%D0%98_%D0%9C%D0%9E%D0%9B%D0%94%D0%9E%D0%92%D0%90.PDF
collection DOAJ
language deu
format Article
sources DOAJ
author VARDANEAN ALIONA
spellingShingle VARDANEAN ALIONA
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
author_facet VARDANEAN ALIONA
author_sort VARDANEAN ALIONA
title THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
title_short THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
title_full THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
title_fullStr THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
title_full_unstemmed THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
title_sort influence of chamber music on the concerto for piano and symphony orchestra in the creation of moldovan composers
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2017-06-01
description n this article is defined the influence of chamber music on the development of the Piano Concerto and Symphony Orchestra genre in the creation of Moldovan composers in the second half of the 20th and the beginning of the 21st centuries. We consider the processes, characteristic not only of national music, but also of the whole European tradition of composing. They manifest themselves in deepening the psychological aspects of the artistic content, reducing the orchestral composition, giving detail of the musical language, strengthening the role of polyphonic techniques, and so on. These processes are supported by the analysis of the Concerto for Piano and Symphony Orchestra by Zlata Tkach.
url http://revista.amtap.md/wp-content/files_mf/15101410464._vardanean_%D0%92%D0%9B%D0%98%D0%AF%D0%9D%D0%98%D0%95_%D0%A2%D0%95%D0%9D%D0%94%D0%95%D0%9D%D0%A6%D0%98%D0%98_%D0%9A%D0%90%D0%9C%D0%95%D0%A0%D0%9D%D0%98%D0%97%D0%90%D0%A6%D0%98%D0%98_%D0%9D%D0%90_%D0%96%D0%90%D0%9D%D0%A0_%D0%9A%D0%9E%D0%9D%D0%A6%D0%95%D0%A0%D0%A2%D0%90_%D0%94%D0%9B%D0%AF_%D0%A4%D0%9E%D0%A0%D0%A2%D0%95%D0%9F%D0%98%D0%90%D0%9D%D0%9E_%D0%A1_%D0%9E%D0%A0%D0%9A%D0%95%D0%A1%D0%A2%D0%A0%D0%9E%D0%9C_%D0%92_%D0%A2%D0%92%D0%9E%D0%A0%D0%A7%D0%95%D0%A1%D0%A2%D0%92%D0%95_%D0%9A%D0%9E%D0%9C%D0%9F%D0%9E%D0%97%D0%98%D0%A2%D0%9E%D0%A0%D0%9E%D0%92_%D0%A0%D0%95%D0%A1%D0%9F%D0%A3%D0%91%D0%9B%D0%98%D0%9A%D0%98_%D0%9C%D0%9E%D0%9B%D0%94%D0%9E%D0%92%D0%90.PDF
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