THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS
n this article is defined the influence of chamber music on the development of the Piano Concerto and Symphony Orchestra genre in the creation of Moldovan composers in the second half of the 20th and the beginning of the 21st centuries. We consider the processes, characteristic not only of national...
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doaj-866de1cfb89542cd9e882abcb792f8d02020-11-24T21:30:40ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-06-011(30)3035THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS VARDANEAN ALIONA0Academy of Music, Theatre and Fine Artsn this article is defined the influence of chamber music on the development of the Piano Concerto and Symphony Orchestra genre in the creation of Moldovan composers in the second half of the 20th and the beginning of the 21st centuries. We consider the processes, characteristic not only of national music, but also of the whole European tradition of composing. They manifest themselves in deepening the psychological aspects of the artistic content, reducing the orchestral composition, giving detail of the musical language, strengthening the role of polyphonic techniques, and so on. These processes are supported by the analysis of the Concerto for Piano and Symphony Orchestra by Zlata Tkach.http://revista.amtap.md/wp-content/files_mf/15101410464._vardanean_%D0%92%D0%9B%D0%98%D0%AF%D0%9D%D0%98%D0%95_%D0%A2%D0%95%D0%9D%D0%94%D0%95%D0%9D%D0%A6%D0%98%D0%98_%D0%9A%D0%90%D0%9C%D0%95%D0%A0%D0%9D%D0%98%D0%97%D0%90%D0%A6%D0%98%D0%98_%D0%9D%D0%90_%D0%96%D0%90%D0%9D%D0%A0_%D0%9A%D0%9E%D0%9D%D0%A6%D0%95%D0%A0%D0%A2%D0%90_%D0%94%D0%9B%D0%AF_%D0%A4%D0%9E%D0%A0%D0%A2%D0%95%D0%9F%D0%98%D0%90%D0%9D%D0%9E_%D0%A1_%D0%9E%D0%A0%D0%9A%D0%95%D0%A1%D0%A2%D0%A0%D0%9E%D0%9C_%D0%92_%D0%A2%D0%92%D0%9E%D0%A0%D0%A7%D0%95%D0%A1%D0%A2%D0%92%D0%95_%D0%9A%D0%9E%D0%9C%D0%9F%D0%9E%D0%97%D0%98%D0%A2%D0%9E%D0%A0%D0%9E%D0%92_%D0%A0%D0%95%D0%A1%D0%9F%D0%A3%D0%91%D0%9B%D0%98%D0%9A%D0%98_%D0%9C%D0%9E%D0%9B%D0%94%D0%9E%D0%92%D0%90.PDF |
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DOAJ |
author |
VARDANEAN ALIONA |
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VARDANEAN ALIONA THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
author_facet |
VARDANEAN ALIONA |
author_sort |
VARDANEAN ALIONA |
title |
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS |
title_short |
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS |
title_full |
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS |
title_fullStr |
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS |
title_full_unstemmed |
THE INFLUENCE OF CHAMBER MUSIC ON THE CONCERTO FOR PIANO AND SYMPHONY ORCHESTRA IN THE CREATION OF MOLDOVAN COMPOSERS |
title_sort |
influence of chamber music on the concerto for piano and symphony orchestra in the creation of moldovan composers |
publisher |
Notograf Prim |
series |
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
issn |
2345-1408 2345-1831 |
publishDate |
2017-06-01 |
description |
n this article is defined the influence of chamber music on the development of the Piano Concerto and Symphony Orchestra genre in the creation of Moldovan composers in the second half of the 20th and the beginning of the 21st centuries. We consider the processes, characteristic not only of national music, but also of the whole European tradition of composing. They manifest themselves in deepening the psychological aspects of the artistic content, reducing the orchestral composition, giving detail of the musical language, strengthening the role of polyphonic techniques, and so on. These processes are supported by the analysis of the Concerto for Piano and Symphony Orchestra by Zlata Tkach. |
url |
http://revista.amtap.md/wp-content/files_mf/15101410464._vardanean_%D0%92%D0%9B%D0%98%D0%AF%D0%9D%D0%98%D0%95_%D0%A2%D0%95%D0%9D%D0%94%D0%95%D0%9D%D0%A6%D0%98%D0%98_%D0%9A%D0%90%D0%9C%D0%95%D0%A0%D0%9D%D0%98%D0%97%D0%90%D0%A6%D0%98%D0%98_%D0%9D%D0%90_%D0%96%D0%90%D0%9D%D0%A0_%D0%9A%D0%9E%D0%9D%D0%A6%D0%95%D0%A0%D0%A2%D0%90_%D0%94%D0%9B%D0%AF_%D0%A4%D0%9E%D0%A0%D0%A2%D0%95%D0%9F%D0%98%D0%90%D0%9D%D0%9E_%D0%A1_%D0%9E%D0%A0%D0%9A%D0%95%D0%A1%D0%A2%D0%A0%D0%9E%D0%9C_%D0%92_%D0%A2%D0%92%D0%9E%D0%A0%D0%A7%D0%95%D0%A1%D0%A2%D0%92%D0%95_%D0%9A%D0%9E%D0%9C%D0%9F%D0%9E%D0%97%D0%98%D0%A2%D0%9E%D0%A0%D0%9E%D0%92_%D0%A0%D0%95%D0%A1%D0%9F%D0%A3%D0%91%D0%9B%D0%98%D0%9A%D0%98_%D0%9C%D0%9E%D0%9B%D0%94%D0%9E%D0%92%D0%90.PDF |
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