Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
The Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gend...
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Dipartimento di Studi Linguistici e Letterari - Università di Padova
2015-12-01
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Online Access: | https://www.avtobiografija.com/index.php/avtobiografija/article/view/79 |
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doaj-866bb403d1b2486bbc45bb68f1edfcac2020-12-07T07:22:12ZengDipartimento di Studi Linguistici e Letterari - Università di PadovaAvtobiografija2281-69922015-12-010419922010.25430/2281-6992/v4-199-220Du bon usage des paradoxes: l’autobiographie de N.S. SoxanskajaFrançoise GenevrayThe Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gender and genre, what is the point of writing 190 pages about your life when you are only 24 years old? The genesis of this narrative is tightly connected with the epistolary relationship Sokhanskaia had initiated with the critic and editor Petr Pletnev. The analysis points out some peculiar features of this text considered within the frame of a distinctive form (or subgenre) still emerging in Russia as such at the time – i.e. the memoirs of a kind entirely dedicated to the author’s private experience. Focusing on the sometimes prominent, sometimes underlying self–centered script of a young, insulated provincial’s calling as a future fiction writer, the paper highlights the implicit statements allowing her to overcome the paradox of a woman writer asserting that “a woman should not write”.https://www.avtobiografija.com/index.php/avtobiografija/article/view/79sokhanskaiaautobiographypletnevepistolary relationshipmemoirs |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Françoise Genevray |
spellingShingle |
Françoise Genevray Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja Avtobiografija sokhanskaia autobiography pletnev epistolary relationship memoirs |
author_facet |
Françoise Genevray |
author_sort |
Françoise Genevray |
title |
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja |
title_short |
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja |
title_full |
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja |
title_fullStr |
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja |
title_full_unstemmed |
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja |
title_sort |
du bon usage des paradoxes: l’autobiographie de n.s. soxanskaja |
publisher |
Dipartimento di Studi Linguistici e Letterari - Università di Padova |
series |
Avtobiografija |
issn |
2281-6992 |
publishDate |
2015-12-01 |
description |
The Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography
The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gender and genre, what is the point of writing 190 pages about your life when you are only 24 years old? The genesis of this narrative is tightly connected with the epistolary relationship Sokhanskaia had initiated with the critic and editor Petr Pletnev. The analysis points out some peculiar features of this text considered within the frame of a distinctive form (or subgenre) still emerging in Russia as such at the time – i.e. the memoirs of a kind entirely dedicated to the author’s private experience. Focusing on the sometimes prominent, sometimes underlying self–centered script of a young, insulated provincial’s calling as a future fiction writer, the paper highlights the implicit statements allowing her to overcome the paradox of a woman writer asserting that “a woman should not write”. |
topic |
sokhanskaia autobiography pletnev epistolary relationship memoirs |
url |
https://www.avtobiografija.com/index.php/avtobiografija/article/view/79 |
work_keys_str_mv |
AT francoisegenevray dubonusagedesparadoxeslautobiographiedenssoxanskaja |
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1724397965331660800 |