Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja

The Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gend...

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Bibliographic Details
Main Author: Françoise Genevray
Format: Article
Language:English
Published: Dipartimento di Studi Linguistici e Letterari - Università di Padova 2015-12-01
Series:Avtobiografija
Subjects:
Online Access:https://www.avtobiografija.com/index.php/avtobiografija/article/view/79
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spelling doaj-866bb403d1b2486bbc45bb68f1edfcac2020-12-07T07:22:12ZengDipartimento di Studi Linguistici e Letterari - Università di PadovaAvtobiografija2281-69922015-12-010419922010.25430/2281-6992/v4-199-220Du bon usage des paradoxes: l’autobiographie de N.S. SoxanskajaFrançoise GenevrayThe Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gender and genre, what is the point of writing 190 pages about your life when you are only 24 years old? The genesis of this narrative is tightly connected with the epistolary relationship Sokhanskaia had initiated with the critic and editor Petr Pletnev. The analysis points out some peculiar features of this text considered within the frame of a distinctive form (or subgenre) still emerging in Russia as such at the time – i.e. the memoirs of a kind entirely dedicated to the author’s private experience. Focusing on the sometimes prominent, sometimes underlying self–centered script of a young, insulated provincial’s calling as a future fiction writer, the paper highlights the implicit statements allowing her to overcome the paradox of a woman writer asserting that “a woman should not write”.https://www.avtobiografija.com/index.php/avtobiografija/article/view/79sokhanskaiaautobiographypletnevepistolary relationshipmemoirs
collection DOAJ
language English
format Article
sources DOAJ
author Françoise Genevray
spellingShingle Françoise Genevray
Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
Avtobiografija
sokhanskaia
autobiography
pletnev
epistolary relationship
memoirs
author_facet Françoise Genevray
author_sort Françoise Genevray
title Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
title_short Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
title_full Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
title_fullStr Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
title_full_unstemmed Du bon usage des paradoxes: l’autobiographie de N.S. Soxanskaja
title_sort du bon usage des paradoxes: l’autobiographie de n.s. soxanskaja
publisher Dipartimento di Studi Linguistici e Letterari - Università di Padova
series Avtobiografija
issn 2281-6992
publishDate 2015-12-01
description The Good Use of Paradoxes: Nadezhda Sokhanskaia’s autobiography The present article is devoted to the Autobiography written in 1847-1848 by Nadezhda Sokhanskaia, later known under the pen–name Kokhanovskaia (1823–1884). Besides the fact that her text raises questions about the relation between gender and genre, what is the point of writing 190 pages about your life when you are only 24 years old? The genesis of this narrative is tightly connected with the epistolary relationship Sokhanskaia had initiated with the critic and editor Petr Pletnev. The analysis points out some peculiar features of this text considered within the frame of a distinctive form (or subgenre) still emerging in Russia as such at the time – i.e. the memoirs of a kind entirely dedicated to the author’s private experience. Focusing on the sometimes prominent, sometimes underlying self–centered script of a young, insulated provincial’s calling as a future fiction writer, the paper highlights the implicit statements allowing her to overcome the paradox of a woman writer asserting that “a woman should not write”.
topic sokhanskaia
autobiography
pletnev
epistolary relationship
memoirs
url https://www.avtobiografija.com/index.php/avtobiografija/article/view/79
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