Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda

The Aucto de la oveja perdida was first published in Valencia by its author, Joan Timoneda, in 1558 in a Ternario Espiritual dedicated to archbishop Francisco de Navarra. It was published a second time in 1575 in a Ternario Sacramental dedicated to archbishop Juan de Ribera. In the two editions the...

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Main Author: Cyril Mérique
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2008-03-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/10347
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spelling doaj-85db6ed709b442b0956f97390c5d69a92020-11-25T03:06:13ZspaPresses universitaires du MirailCriticón0247-381X2008-03-01102698310.4000/criticon.10347Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan TimonedaCyril MériqueThe Aucto de la oveja perdida was first published in Valencia by its author, Joan Timoneda, in 1558 in a Ternario Espiritual dedicated to archbishop Francisco de Navarra. It was published a second time in 1575 in a Ternario Sacramental dedicated to archbishop Juan de Ribera. In the two editions the prologues to the play are addressed differently: in the first to the archbishop of Valencia, in the second to the gathered assembly or “people”. Between the first and second editions there are a series of changes among various fragments addressed to the archbishops —changes that, we believe, were not made solely with the intent of renewing the play on the occasion of the arrival of a new prelate. Considering the context of the Counter-Reformation during which Timoneda published his two Ternarios, and the question of the Moors and their conversion to Christianity —issues of prime importance in Valenicia at that time— it is possible that the motive of Joan Timoneda’s changes was in fact ideological and inspired by a desire to have the prologues accord more fully with Tridentine precepts.http://journals.openedition.org/criticon/10347Council of TrentintroitoMoorsNavarra Francisco deRibera Juan deTimoneda Joan
collection DOAJ
language Spanish
format Article
sources DOAJ
author Cyril Mérique
spellingShingle Cyril Mérique
Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
Criticón
Council of Trent
introito
Moors
Navarra Francisco de
Ribera Juan de
Timoneda Joan
author_facet Cyril Mérique
author_sort Cyril Mérique
title Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
title_short Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
title_full Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
title_fullStr Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
title_full_unstemmed Un mensaje rescrito: los cuatro introitos del Aucto de la oveja perdida de Joan Timoneda
title_sort un mensaje rescrito: los cuatro introitos del aucto de la oveja perdida de joan timoneda
publisher Presses universitaires du Mirail
series Criticón
issn 0247-381X
publishDate 2008-03-01
description The Aucto de la oveja perdida was first published in Valencia by its author, Joan Timoneda, in 1558 in a Ternario Espiritual dedicated to archbishop Francisco de Navarra. It was published a second time in 1575 in a Ternario Sacramental dedicated to archbishop Juan de Ribera. In the two editions the prologues to the play are addressed differently: in the first to the archbishop of Valencia, in the second to the gathered assembly or “people”. Between the first and second editions there are a series of changes among various fragments addressed to the archbishops —changes that, we believe, were not made solely with the intent of renewing the play on the occasion of the arrival of a new prelate. Considering the context of the Counter-Reformation during which Timoneda published his two Ternarios, and the question of the Moors and their conversion to Christianity —issues of prime importance in Valenicia at that time— it is possible that the motive of Joan Timoneda’s changes was in fact ideological and inspired by a desire to have the prologues accord more fully with Tridentine precepts.
topic Council of Trent
introito
Moors
Navarra Francisco de
Ribera Juan de
Timoneda Joan
url http://journals.openedition.org/criticon/10347
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