Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe

This article proposes conceptual working definitions for alternative theater and alternative spatiality as they apply to postindependence Zimbabwean theater practice. These conceptual definition proposals identify and delineate the contemporary Zimbabwean spatial appreciation of alternative performa...

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Main Author: Nkululeko Sibanda
Format: Article
Language:English
Published: SAGE Publishing 2019-05-01
Series:SAGE Open
Online Access:https://doi.org/10.1177/2158244019846699
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spelling doaj-85625b9e8410428b9067c88bd1cf15992020-11-25T03:33:14ZengSAGE PublishingSAGE Open2158-24402019-05-01910.1177/2158244019846699Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence ZimbabweNkululeko Sibanda0Lupane State University, Bulawayo, ZimbabweThis article proposes conceptual working definitions for alternative theater and alternative spatiality as they apply to postindependence Zimbabwean theater practice. These conceptual definition proposals identify and delineate the contemporary Zimbabwean spatial appreciation of alternative performance space and esthetic practice. In this article, I implicate alternative performance esthetics and spatiality in how the past, as the people’s cultural frame of reference, can remain compatible with the demands of the present, and possibly the future. As a popular strategy, alternative theater performance spaces are presented as ways of reworking the colonial mapping process leading to the development of a new map, that is, a visible site of deconstructive attack. This remapping process presents a new spatial and esthetic knowledge situated within hybrid/ syncretic alternative performance space.https://doi.org/10.1177/2158244019846699
collection DOAJ
language English
format Article
sources DOAJ
author Nkululeko Sibanda
spellingShingle Nkululeko Sibanda
Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
SAGE Open
author_facet Nkululeko Sibanda
author_sort Nkululeko Sibanda
title Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
title_short Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
title_full Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
title_fullStr Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
title_full_unstemmed Conceptualizing Alternative Theater and Alternative Performance Space in Postindependence Zimbabwe
title_sort conceptualizing alternative theater and alternative performance space in postindependence zimbabwe
publisher SAGE Publishing
series SAGE Open
issn 2158-2440
publishDate 2019-05-01
description This article proposes conceptual working definitions for alternative theater and alternative spatiality as they apply to postindependence Zimbabwean theater practice. These conceptual definition proposals identify and delineate the contemporary Zimbabwean spatial appreciation of alternative performance space and esthetic practice. In this article, I implicate alternative performance esthetics and spatiality in how the past, as the people’s cultural frame of reference, can remain compatible with the demands of the present, and possibly the future. As a popular strategy, alternative theater performance spaces are presented as ways of reworking the colonial mapping process leading to the development of a new map, that is, a visible site of deconstructive attack. This remapping process presents a new spatial and esthetic knowledge situated within hybrid/ syncretic alternative performance space.
url https://doi.org/10.1177/2158244019846699
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