The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing

From Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present....

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Bibliographic Details
Main Author: Ana Mª Manzanas Calvo
Format: Article
Language:English
Published: Universidad de Valladolid 2017-12-01
Series:ES Review
Subjects:
Online Access:https://revistas.uva.es/index.php/esreview/article/view/1607
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spelling doaj-855d1aadd5da4c38a9461351c1849ec32020-11-25T01:18:09ZengUniversidad de ValladolidES Review2531-16542531-16462017-12-01382745https://doi.org/10.24197/ersjes.38.2017.27-45The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s WritingAna Mª Manzanas Calvo0Universidad de SalamancaFrom Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present. Apparently situated in the midst of two identitary deficits, Gibraltarian literature occupies a narrative space that is neither British nor Spanish but something else. M. G. Sanchez’s novels and memoir situate themselves in this liminal space of multiple cultural traditions and linguistic contami-nation. The writer anatomizes this space crossed and partitioned by multiple and fluid borders and boundaries. What appears as deficient or lacking from the British and the Spanish points of view, the curse of the periphery, the curse of inhabiting a no man’s land, is repossessed in Sanchez’s writing in order to flesh out a border culture with very specific linguistic and cultural traits.https://revistas.uva.es/index.php/esreview/article/view/1607gibraltargibraltarian literaturegibraltarian identitycontaminationborder
collection DOAJ
language English
format Article
sources DOAJ
author Ana Mª Manzanas Calvo
spellingShingle Ana Mª Manzanas Calvo
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
ES Review
gibraltar
gibraltarian literature
gibraltarian identity
contamination
border
author_facet Ana Mª Manzanas Calvo
author_sort Ana Mª Manzanas Calvo
title The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
title_short The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
title_full The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
title_fullStr The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
title_full_unstemmed The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
title_sort line and the limit of britishness: the construction of gibraltarian identity in m. g. sanchez’s writing
publisher Universidad de Valladolid
series ES Review
issn 2531-1654
2531-1646
publishDate 2017-12-01
description From Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present. Apparently situated in the midst of two identitary deficits, Gibraltarian literature occupies a narrative space that is neither British nor Spanish but something else. M. G. Sanchez’s novels and memoir situate themselves in this liminal space of multiple cultural traditions and linguistic contami-nation. The writer anatomizes this space crossed and partitioned by multiple and fluid borders and boundaries. What appears as deficient or lacking from the British and the Spanish points of view, the curse of the periphery, the curse of inhabiting a no man’s land, is repossessed in Sanchez’s writing in order to flesh out a border culture with very specific linguistic and cultural traits.
topic gibraltar
gibraltarian literature
gibraltarian identity
contamination
border
url https://revistas.uva.es/index.php/esreview/article/view/1607
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