The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing
From Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present....
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Universidad de Valladolid
2017-12-01
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Online Access: | https://revistas.uva.es/index.php/esreview/article/view/1607 |
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doaj-855d1aadd5da4c38a9461351c1849ec32020-11-25T01:18:09ZengUniversidad de ValladolidES Review2531-16542531-16462017-12-01382745https://doi.org/10.24197/ersjes.38.2017.27-45The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s WritingAna Mª Manzanas Calvo0Universidad de SalamancaFrom Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present. Apparently situated in the midst of two identitary deficits, Gibraltarian literature occupies a narrative space that is neither British nor Spanish but something else. M. G. Sanchez’s novels and memoir situate themselves in this liminal space of multiple cultural traditions and linguistic contami-nation. The writer anatomizes this space crossed and partitioned by multiple and fluid borders and boundaries. What appears as deficient or lacking from the British and the Spanish points of view, the curse of the periphery, the curse of inhabiting a no man’s land, is repossessed in Sanchez’s writing in order to flesh out a border culture with very specific linguistic and cultural traits.https://revistas.uva.es/index.php/esreview/article/view/1607gibraltargibraltarian literaturegibraltarian identitycontaminationborder |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ana Mª Manzanas Calvo |
spellingShingle |
Ana Mª Manzanas Calvo The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing ES Review gibraltar gibraltarian literature gibraltarian identity contamination border |
author_facet |
Ana Mª Manzanas Calvo |
author_sort |
Ana Mª Manzanas Calvo |
title |
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing |
title_short |
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing |
title_full |
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing |
title_fullStr |
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing |
title_full_unstemmed |
The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing |
title_sort |
line and the limit of britishness: the construction of gibraltarian identity in m. g. sanchez’s writing |
publisher |
Universidad de Valladolid |
series |
ES Review |
issn |
2531-1654 2531-1646 |
publishDate |
2017-12-01 |
description |
From Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present. Apparently situated in the midst of two identitary deficits, Gibraltarian literature occupies a narrative space that is neither British nor Spanish but something else. M. G. Sanchez’s novels and memoir situate themselves in this liminal space of multiple cultural traditions and linguistic contami-nation. The writer anatomizes this space crossed and partitioned by multiple and fluid borders and boundaries. What appears as deficient or lacking from the British and the Spanish points of view, the curse of the periphery, the curse of inhabiting a no man’s land, is repossessed in Sanchez’s writing in order to flesh out a border culture with very specific linguistic and cultural traits. |
topic |
gibraltar gibraltarian literature gibraltarian identity contamination border |
url |
https://revistas.uva.es/index.php/esreview/article/view/1607 |
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