L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard

<p class="Keyword">Considering that film is a form of social practice, it mostly brings social topic to be discussed. In this context, a film is a tool to talk about the problems within the society. Topic about power relation in certain social arena is present in Un prophète (The...

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Main Author: Jinanto, Damar
Format: Article
Language:English
Published: UGM Digital Press 2019-10-01
Series:Digital Press Social Sciences and Humanities
Online Access:https://digitalpress.ugm.ac.id/article/285
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spelling doaj-8441155d242245cdb4dad64c62109cc02021-05-04T05:32:25ZengUGM Digital PressDigital Press Social Sciences and Humanities2654-94332019-10-0130001210.29037/digitalpress.43285L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques AudiardJinanto, Damar<p class="Keyword">Considering that film is a form of social practice, it mostly brings social topic to be discussed. In this context, a film is a tool to talk about the problems within the society. Topic about power relation in certain social arena is present in Un prophète (The Prophet), directed by Jacques Audiard. This film tells a story about Malik El-Diebena living behind the bars for six years. In the prison, El-Diebena, who is the part of Arabian community, has had conflict with César Luciani, the leader of Corsican community. He had to find a strategy to fight against César. This article talks about power relation among the characters to fight against social structure based on the narrative and cinematographic aspects by using the concept of power relation by Pierre Bourdieu.&nbsp; The film provides the social hierarchy of the characters based on the capitals that apply in the prison as social arena. Bourdieu’s concept also shows the power exchange between them. This interaction depends on the amounts of the capitals that each characters have.&nbsp; The result explains the power system between the characters and the social arena regarding the capital accumulation hold in prison. The social capitals lead to the position shifts in this arena. The text portrays the characters’ efforts to obtain the capitals that are necessaries in the power exchange.</p>https://digitalpress.ugm.ac.id/article/285
collection DOAJ
language English
format Article
sources DOAJ
author Jinanto, Damar
spellingShingle Jinanto, Damar
L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
Digital Press Social Sciences and Humanities
author_facet Jinanto, Damar
author_sort Jinanto, Damar
title L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
title_short L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
title_full L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
title_fullStr L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
title_full_unstemmed L’échange de pouvoir : un reflet de la vie carcérale dans le film Un prophète de Jacques Audiard
title_sort l’échange de pouvoir : un reflet de la vie carcérale dans le film un prophète de jacques audiard
publisher UGM Digital Press
series Digital Press Social Sciences and Humanities
issn 2654-9433
publishDate 2019-10-01
description <p class="Keyword">Considering that film is a form of social practice, it mostly brings social topic to be discussed. In this context, a film is a tool to talk about the problems within the society. Topic about power relation in certain social arena is present in Un prophète (The Prophet), directed by Jacques Audiard. This film tells a story about Malik El-Diebena living behind the bars for six years. In the prison, El-Diebena, who is the part of Arabian community, has had conflict with César Luciani, the leader of Corsican community. He had to find a strategy to fight against César. This article talks about power relation among the characters to fight against social structure based on the narrative and cinematographic aspects by using the concept of power relation by Pierre Bourdieu.&nbsp; The film provides the social hierarchy of the characters based on the capitals that apply in the prison as social arena. Bourdieu’s concept also shows the power exchange between them. This interaction depends on the amounts of the capitals that each characters have.&nbsp; The result explains the power system between the characters and the social arena regarding the capital accumulation hold in prison. The social capitals lead to the position shifts in this arena. The text portrays the characters’ efforts to obtain the capitals that are necessaries in the power exchange.</p>
url https://digitalpress.ugm.ac.id/article/285
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