Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio
The Marcel Duchamp absolute gesture is such a gesture that inaugurates an escape movement from any Symbolic Order (another name of this movement is the Deleuzian «becoming-animal»); a gesture that, obviously, Duchamp does not stop play out, because each time he enacts it, this is a new gesture; ther...
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Università degli Studi di Milano
2019-01-01
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| Series: | Lebenswelt: Aesthetics and Philosophy of Experience |
| Online Access: | https://riviste.unimi.it/index.php/Lebenswelt/article/view/11117 |
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doaj-840e1783d12045939c16690bb64f39fe2020-11-25T00:53:07ZdeuUniversità degli Studi di MilanoLebenswelt: Aesthetics and Philosophy of Experience2240-95992019-01-0101310.13130/2240-9599/111179466Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggioFelice CimattiThe Marcel Duchamp absolute gesture is such a gesture that inaugurates an escape movement from any Symbolic Order (another name of this movement is the Deleuzian «becoming-animal»); a gesture that, obviously, Duchamp does not stop play out, because each time he enacts it, this is a new gesture; there is no rule for the absolute gesture. In fact, if it existed it would not be absolute. Duchamp is such an ‘artist’ who is without work, then, because what matters is not art, but the making of one's existence something unique. The absolute gesture consists in the making of art a form of life.https://riviste.unimi.it/index.php/Lebenswelt/article/view/11117 |
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DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Felice Cimatti |
| spellingShingle |
Felice Cimatti Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio Lebenswelt: Aesthetics and Philosophy of Experience |
| author_facet |
Felice Cimatti |
| author_sort |
Felice Cimatti |
| title |
Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio |
| title_short |
Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio |
| title_full |
Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio |
| title_fullStr |
Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio |
| title_full_unstemmed |
Il gesto assoluto. Duchamp, l’opera d’arte e il linguaggio |
| title_sort |
il gesto assoluto. duchamp, l’opera d’arte e il linguaggio |
| publisher |
Università degli Studi di Milano |
| series |
Lebenswelt: Aesthetics and Philosophy of Experience |
| issn |
2240-9599 |
| publishDate |
2019-01-01 |
| description |
The Marcel Duchamp absolute gesture is such a gesture that inaugurates an escape movement from any Symbolic Order (another name of this movement is the Deleuzian «becoming-animal»); a gesture that, obviously, Duchamp does not stop play out, because each time he enacts it, this is a new gesture; there is no rule for the absolute gesture. In fact, if it existed it would not be absolute. Duchamp is such an ‘artist’ who is without work, then, because what matters is not art, but the making of one's existence something unique.
The absolute gesture consists in the making of art a form of life. |
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https://riviste.unimi.it/index.php/Lebenswelt/article/view/11117 |
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