Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?

Nathan Lyons (1930 – 2016) lived in Rochester NY from 1957 to his death. He was a curator then an assistant director of the George Eastman Museum (1957 – 1969), working with Beaumont Newhall and Minor White, the co-founder of the Society for Photographic Education (1963) and Oracle (international co...

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Main Author: Bruno Chalifour
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2019-05-01
Series:Transatlantica : Revue d'Études Américaines
Subjects:
Online Access:http://journals.openedition.org/transatlantica/11136
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spelling doaj-83042508c8b34e108b98e06c26e070452021-09-02T15:23:39ZengAssociation Française d'Etudes AméricainesTransatlantica : Revue d'Études Américaines1765-27662019-05-01210.4000/transatlantica.11136Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?Bruno ChalifourNathan Lyons (1930 – 2016) lived in Rochester NY from 1957 to his death. He was a curator then an assistant director of the George Eastman Museum (1957 – 1969), working with Beaumont Newhall and Minor White, the co-founder of the Society for Photographic Education (1963) and Oracle (international conference of photo historians and curators since 1983), the founder of Visual Studies Workshop (1969) and its magazine (Afterimage, 1972 – 2018), and a consultant for the National Endowment for the Arts and the New York Foundation for the Arts (president 1976 – 1991). Before being a curator, an educator, a theorist (among others, the snapshot esthetic, the social landscape, sequences & series, the photo-book), an advocate for visual literacy, and a key-figure in post-WWII American photography, he was a photographer-artist who looked at urban America with a sometimes amused, sometimes critical eye. Whereas Lyons photographed in black-and-white for over fifty years, a great space in this exhibition was dedicated to his recent digital color work. His curating, writings and photographs have challenged and expanded the medium in many ways (ICP Infinity Award for Lifetime Achievement in 2000), was he, with his latest work, achieving the same goals?http://journals.openedition.org/transatlantica/11136Black and white photography; color photography; George Eastman Museum; Nathan Lyons; photography; photo-book; photography; American photography; exhibition; retrospective; Rochester; sequence; series; social landscape; Visual Studies Workshop.
collection DOAJ
language English
format Article
sources DOAJ
author Bruno Chalifour
spellingShingle Bruno Chalifour
Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
Transatlantica : Revue d'Études Américaines
Black and white photography; color photography; George Eastman Museum; Nathan Lyons; photography; photo-book; photography; American photography; exhibition; retrospective; Rochester; sequence; series; social landscape; Visual Studies Workshop.
author_facet Bruno Chalifour
author_sort Bruno Chalifour
title Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
title_short Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
title_full Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
title_fullStr Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
title_full_unstemmed Nathan Lyons: In Pursuit of Magic at the George Eastman Museum (Rochester, NY), retrospective or exhibition?
title_sort nathan lyons: in pursuit of magic at the george eastman museum (rochester, ny), retrospective or exhibition?
publisher Association Française d'Etudes Américaines
series Transatlantica : Revue d'Études Américaines
issn 1765-2766
publishDate 2019-05-01
description Nathan Lyons (1930 – 2016) lived in Rochester NY from 1957 to his death. He was a curator then an assistant director of the George Eastman Museum (1957 – 1969), working with Beaumont Newhall and Minor White, the co-founder of the Society for Photographic Education (1963) and Oracle (international conference of photo historians and curators since 1983), the founder of Visual Studies Workshop (1969) and its magazine (Afterimage, 1972 – 2018), and a consultant for the National Endowment for the Arts and the New York Foundation for the Arts (president 1976 – 1991). Before being a curator, an educator, a theorist (among others, the snapshot esthetic, the social landscape, sequences & series, the photo-book), an advocate for visual literacy, and a key-figure in post-WWII American photography, he was a photographer-artist who looked at urban America with a sometimes amused, sometimes critical eye. Whereas Lyons photographed in black-and-white for over fifty years, a great space in this exhibition was dedicated to his recent digital color work. His curating, writings and photographs have challenged and expanded the medium in many ways (ICP Infinity Award for Lifetime Achievement in 2000), was he, with his latest work, achieving the same goals?
topic Black and white photography; color photography; George Eastman Museum; Nathan Lyons; photography; photo-book; photography; American photography; exhibition; retrospective; Rochester; sequence; series; social landscape; Visual Studies Workshop.
url http://journals.openedition.org/transatlantica/11136
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