La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come

Drawing on Deborah Bird Rose’s notion that there is a need for a magical intervention on the part of individuals if humanity is to survive, this paper will consider how the ethical interventions of fiction writers are acts of imagination that bring about a new idea of the past (history), the huma...

Full description

Bibliographic Details
Main Author: John Ryan
Format: Article
Language:English
Published: Universitat de Barcelona 2009-07-01
Series:Coolabah
Subjects:
Online Access:http://revistes.ub.edu/index.php/coolabah/article/view/15747/18860
id doaj-82e359b40f7b42dfa4cd59afb68d3a28
record_format Article
spelling doaj-82e359b40f7b42dfa4cd59afb68d3a282020-11-25T00:50:06ZengUniversitat de BarcelonaCoolabah1988-59462009-07-01321321910.1344/co2009/.3.213-219La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to ComeJohn Ryan0Richmond River High School, LismoreDrawing on Deborah Bird Rose’s notion that there is a need for a magical intervention on the part of individuals if humanity is to survive, this paper will consider how the ethical interventions of fiction writers are acts of imagination that bring about a new idea of the past (history), the human being (memory) and our own Life to Come (the mythic). The paper explores a short story by E M Forster. The Life To Come, written in 1922 and published fifty years later in 1972, is set in the eye of an historical encounter both postcolonial and queer. Forster’s story gives voice to an alternative historical space often made invisible; it represents one of, what Ashis Nandy calls, History’s Forgotten Doubles. The Life to Come is therefore a marker within a cultural discourse about injustice and the past, that continues to emerge, and write the world: it shifts the contents of our histories and memories through the invocation of myth. In the second part of the paper, I explore recent examples of this literary traditionhttp://revistes.ub.edu/index.php/coolabah/article/view/15747/18860AhistoricalForsterHeteronormativePost-colonialQueerMyth
collection DOAJ
language English
format Article
sources DOAJ
author John Ryan
spellingShingle John Ryan
La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
Coolabah
Ahistorical
Forster
Heteronormative
Post-colonial
Queer
Myth
author_facet John Ryan
author_sort John Ryan
title La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
title_short La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
title_full La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
title_fullStr La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
title_full_unstemmed La mel es més dolÇa que la sang: Fiction as Magical Intervention - a reading of E.M. Forster’s The Life to Come
title_sort la mel es més dolça que la sang: fiction as magical intervention - a reading of e.m. forster’s the life to come
publisher Universitat de Barcelona
series Coolabah
issn 1988-5946
publishDate 2009-07-01
description Drawing on Deborah Bird Rose’s notion that there is a need for a magical intervention on the part of individuals if humanity is to survive, this paper will consider how the ethical interventions of fiction writers are acts of imagination that bring about a new idea of the past (history), the human being (memory) and our own Life to Come (the mythic). The paper explores a short story by E M Forster. The Life To Come, written in 1922 and published fifty years later in 1972, is set in the eye of an historical encounter both postcolonial and queer. Forster’s story gives voice to an alternative historical space often made invisible; it represents one of, what Ashis Nandy calls, History’s Forgotten Doubles. The Life to Come is therefore a marker within a cultural discourse about injustice and the past, that continues to emerge, and write the world: it shifts the contents of our histories and memories through the invocation of myth. In the second part of the paper, I explore recent examples of this literary tradition
topic Ahistorical
Forster
Heteronormative
Post-colonial
Queer
Myth
url http://revistes.ub.edu/index.php/coolabah/article/view/15747/18860
work_keys_str_mv AT johnryan lamelesmesdolcaquelasangfictionasmagicalinterventionareadingofemforstersthelifetocome
_version_ 1725249349199331328