Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere

<p>The second half of the nineteenth century witness an anthropology that from the narrow scientific fields shifts to the forestage of exhibitions and universal expositions. It takes a more essentially<br />popular, pedagogical and often absolutely spectacular capacity and role, using ar...

Full description

Bibliographic Details
Main Author: Alberto Baldi
Format: Article
Language:English
Published: CLUEB 2017-07-01
Series:EtnoAntropologia
Subjects:
Online Access:http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/223
id doaj-82dc3c57cc6f4f2c957c3e554e110289
record_format Article
spelling doaj-82dc3c57cc6f4f2c957c3e554e1102892020-11-25T02:58:36ZengCLUEBEtnoAntropologia2284-01762017-07-0142378210.1473/219200Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedereAlberto Baldi0Università di Napoli Federico II MAM – Museo Antropologico Multimediale<p>The second half of the nineteenth century witness an anthropology that from the narrow scientific fields shifts to the forestage of exhibitions and universal expositions. It takes a more essentially<br />popular, pedagogical and often absolutely spectacular capacity and role, using archeomedia’s technological know-how, like peepshow, stereoscopy, magic lantern, panorama and moving panorama, diorama, stereorama and cinerama. On closer inspection, it is indeed a reciprocal exchange: these means of entertainment too, in turn willingly draw from ethnography to put on stage an exoticism which is more and more alluring, prurient, feral, and also revolting, but which does pay well at the box office. It is a variegated Otherness which turns up, sometimes near, some other three-dimensional and<br />tangible, in other words “alive”; it follows postures and is in relation with activities, situations and environments which instead hypostasize and strictly control it, thus reasserting the hegemony of a western perspective which depicts intriguing “postcards” of this otherness, and puts a price on it with the complicity of Anthropology; rather with a certain Anthropology which embellishes the world, changing it in a sort of ethno-show.</p>http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/223archeomedia, moving panorama, stereoscopy, diorama, universal expositions.
collection DOAJ
language English
format Article
sources DOAJ
author Alberto Baldi
spellingShingle Alberto Baldi
Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
EtnoAntropologia
archeomedia, moving panorama, stereoscopy, diorama, universal expositions.
author_facet Alberto Baldi
author_sort Alberto Baldi
title Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
title_short Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
title_full Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
title_fullStr Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
title_full_unstemmed Etno-show Quando l’antropologia andò in scena, un’antropologia bella da vedere
title_sort etno-show quando l’antropologia andò in scena, un’antropologia bella da vedere
publisher CLUEB
series EtnoAntropologia
issn 2284-0176
publishDate 2017-07-01
description <p>The second half of the nineteenth century witness an anthropology that from the narrow scientific fields shifts to the forestage of exhibitions and universal expositions. It takes a more essentially<br />popular, pedagogical and often absolutely spectacular capacity and role, using archeomedia’s technological know-how, like peepshow, stereoscopy, magic lantern, panorama and moving panorama, diorama, stereorama and cinerama. On closer inspection, it is indeed a reciprocal exchange: these means of entertainment too, in turn willingly draw from ethnography to put on stage an exoticism which is more and more alluring, prurient, feral, and also revolting, but which does pay well at the box office. It is a variegated Otherness which turns up, sometimes near, some other three-dimensional and<br />tangible, in other words “alive”; it follows postures and is in relation with activities, situations and environments which instead hypostasize and strictly control it, thus reasserting the hegemony of a western perspective which depicts intriguing “postcards” of this otherness, and puts a price on it with the complicity of Anthropology; rather with a certain Anthropology which embellishes the world, changing it in a sort of ethno-show.</p>
topic archeomedia, moving panorama, stereoscopy, diorama, universal expositions.
url http://www.rivisteclueb.it/riviste/index.php/etnoantropologia/article/view/223
work_keys_str_mv AT albertobaldi etnoshowquandolantropologiaandoinscenaunantropologiabelladavedere
_version_ 1724706115001778176