Preludes and Fugues op. 82 by Nikolai Kapustin
The early 20th century witnessed growing interest in the Baroque polyphony genres: prelude and fugue in jazz. Preludes and fugues op. 82 (1997) by the Russian composer Nikolai Kapustin are particularly interesting. The way he integrates the expression of classical music and the specificity of jazz...
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| Format: | Article |
| Language: | deu |
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2020-06-01
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| Series: | Muzikološki Zbornik |
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| Online Access: | https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9396 |
| Summary: | The early 20th century witnessed growing interest in the Baroque polyphony genres: prelude and fugue in jazz. Preludes and fugues op. 82 (1997) by the Russian composer Nikolai Kapustin are particularly interesting. The way he integrates the expression of classical music and the specificity of jazz music is very original.
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| ISSN: | 0580-373X 2350-4242 |