The Reception of youth Music in Chile in the sixties: Americanization of the Young?

This article analyses popular music addressed to young people in Chile in the sixties. In a decade characterized by changes and demands for social transformation, young people are important social actors who are incorporated as market consumers by cultural industries. From a critical perspective on...

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Main Authors: Silvia Lamadrid Álvarez, Andrea Baeza Reyes
Format: Article
Language:Spanish
Published: Universidad de Chile 2017-12-01
Series:Revista Musical Chilena
Online Access:https://revistamusicalchilena.uchile.cl/index.php/RMCH/article/view/47992
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spelling doaj-82887114f3a746b094c8b398546955dd2020-11-24T23:56:53ZspaUniversidad de ChileRevista Musical Chilena0716-27900717-62522017-12-0171228699447992The Reception of youth Music in Chile in the sixties: Americanization of the Young?Silvia Lamadrid Álvarez0Andrea Baeza Reyes1Facultad de Ciencias Sociales, Departamento de Sociología, Universidad de ChileFacultad de Ciencias Sociales, Departamento de Sociología, Universidad de ChileThis article analyses popular music addressed to young people in Chile in the sixties. In a decade characterized by changes and demands for social transformation, young people are important social actors who are incorporated as market consumers by cultural industries. From a critical perspective on interpretations about musical appropriation in Chile, and following a quantitative approach, we study the rankings of the most popular songs listened by youth between 1961 and 1970 on Chilean radios. Results show how popular music for youth reflects the condition of a dependent society, open to international influences, but also how young people of the time sieves the reception of new styles according to musical tastes and traditions, fully constituted as hybrid. This study argues that the musical preferences by youth in the second middle of twenty century are a complex hybridization of musical genres, which have constructed identities that interlaces modern and traditional elements.https://revistamusicalchilena.uchile.cl/index.php/RMCH/article/view/47992
collection DOAJ
language Spanish
format Article
sources DOAJ
author Silvia Lamadrid Álvarez
Andrea Baeza Reyes
spellingShingle Silvia Lamadrid Álvarez
Andrea Baeza Reyes
The Reception of youth Music in Chile in the sixties: Americanization of the Young?
Revista Musical Chilena
author_facet Silvia Lamadrid Álvarez
Andrea Baeza Reyes
author_sort Silvia Lamadrid Álvarez
title The Reception of youth Music in Chile in the sixties: Americanization of the Young?
title_short The Reception of youth Music in Chile in the sixties: Americanization of the Young?
title_full The Reception of youth Music in Chile in the sixties: Americanization of the Young?
title_fullStr The Reception of youth Music in Chile in the sixties: Americanization of the Young?
title_full_unstemmed The Reception of youth Music in Chile in the sixties: Americanization of the Young?
title_sort reception of youth music in chile in the sixties: americanization of the young?
publisher Universidad de Chile
series Revista Musical Chilena
issn 0716-2790
0717-6252
publishDate 2017-12-01
description This article analyses popular music addressed to young people in Chile in the sixties. In a decade characterized by changes and demands for social transformation, young people are important social actors who are incorporated as market consumers by cultural industries. From a critical perspective on interpretations about musical appropriation in Chile, and following a quantitative approach, we study the rankings of the most popular songs listened by youth between 1961 and 1970 on Chilean radios. Results show how popular music for youth reflects the condition of a dependent society, open to international influences, but also how young people of the time sieves the reception of new styles according to musical tastes and traditions, fully constituted as hybrid. This study argues that the musical preferences by youth in the second middle of twenty century are a complex hybridization of musical genres, which have constructed identities that interlaces modern and traditional elements.
url https://revistamusicalchilena.uchile.cl/index.php/RMCH/article/view/47992
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