Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman

This article studies uses of Instagram by members of Indonesia’s Hijabers’ Community. It shows how hijabers employ Instagram as a stage for performing middle-classness, but also for dakwah (“the call, invitation or challenge to Islam”), which they consider one of their primary tasks as Muslims. By e...

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Bibliographic Details
Main Authors: Emma Baulch, Alila Pramiyanti
Format: Article
Language:English
Published: SAGE Publishing 2018-10-01
Series:Social Media + Society
Online Access:https://doi.org/10.1177/2056305118800308
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spelling doaj-823cfe5d3c414bcab71bb282ed0cf4ce2020-11-25T02:52:41ZengSAGE PublishingSocial Media + Society2056-30512018-10-01410.1177/2056305118800308Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim WomanEmma Baulch0Alila Pramiyanti1Queensland University of Technology, AustraliaQueensland University of Technology, AustraliaThis article studies uses of Instagram by members of Indonesia’s Hijabers’ Community. It shows how hijabers employ Instagram as a stage for performing middle-classness, but also for dakwah (“the call, invitation or challenge to Islam”), which they consider one of their primary tasks as Muslims. By enfolding the taking and sharing of images of Muslimah bodies on Instagram into this Quranic imperative, the hijabers shape an Islamic-themed bodily esthetic for middle class women, and at the same time present this bodily esthetic as a form of Islamic knowledge. The article extends work on influencer culture on Instagram, which has considered how and whether women exert control over their bodies in post-feminist performances of female entrepreneurship and consumer choice on social media. In it, we argue that examining the “enframement” of hijaberness on Instagram show it to be both a Muslim variant of post-feminist performances on social media, and a female variant of electronically-mediated Muslim preaching. That is, hijabers’ performances of veiled femininity structure and are structured by two distinct fields - a dynamic global digital culture and a changing field of Islamic communication – and point to a “composite habitus,” similar to that identified by Waltorp.https://doi.org/10.1177/2056305118800308
collection DOAJ
language English
format Article
sources DOAJ
author Emma Baulch
Alila Pramiyanti
spellingShingle Emma Baulch
Alila Pramiyanti
Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
Social Media + Society
author_facet Emma Baulch
Alila Pramiyanti
author_sort Emma Baulch
title Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
title_short Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
title_full Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
title_fullStr Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
title_full_unstemmed Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman
title_sort hijabers on instagram: using visual social media to construct the ideal muslim woman
publisher SAGE Publishing
series Social Media + Society
issn 2056-3051
publishDate 2018-10-01
description This article studies uses of Instagram by members of Indonesia’s Hijabers’ Community. It shows how hijabers employ Instagram as a stage for performing middle-classness, but also for dakwah (“the call, invitation or challenge to Islam”), which they consider one of their primary tasks as Muslims. By enfolding the taking and sharing of images of Muslimah bodies on Instagram into this Quranic imperative, the hijabers shape an Islamic-themed bodily esthetic for middle class women, and at the same time present this bodily esthetic as a form of Islamic knowledge. The article extends work on influencer culture on Instagram, which has considered how and whether women exert control over their bodies in post-feminist performances of female entrepreneurship and consumer choice on social media. In it, we argue that examining the “enframement” of hijaberness on Instagram show it to be both a Muslim variant of post-feminist performances on social media, and a female variant of electronically-mediated Muslim preaching. That is, hijabers’ performances of veiled femininity structure and are structured by two distinct fields - a dynamic global digital culture and a changing field of Islamic communication – and point to a “composite habitus,” similar to that identified by Waltorp.
url https://doi.org/10.1177/2056305118800308
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