Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ

The seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early C...

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Main Author: Karine Bigand
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2014-06-01
Series:Revue LISA
Subjects:
Online Access:http://journals.openedition.org/lisa/5943
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spelling doaj-8122e5222dfd4acdacb2a430261477e72021-10-02T11:39:34ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532014-06-0110.4000/lisa.5943Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champKarine BigandThe seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early Christian monuments. However, far from being a holiday album or a tourist photocall, the two travellers’ Carnet d’Irlande forms part of a specific ideological and scientific project, designed and sponsored by banker Albert Kahn. The Archives de la Planète project, launched in 1912, was to draw “a form of photographic inventory of the surface of the Earth, as it is occupied and managed by men at the beginning of the 20th century.” The mission to Ireland was one of the first to be carried out, by two experienced travellers and confirmed intellectuals, Marguerite Mespoulet and Madeleine Mignon. This paper explores how and to what extent their view of Ireland at the turn of the century was informed by the ideological, methodological and technical constraints they had to respect.http://journals.openedition.org/lisa/5943Kahn Alberttravel literaturephotographytourismrepresentationIreland (Republic of)
collection DOAJ
language English
format Article
sources DOAJ
author Karine Bigand
spellingShingle Karine Bigand
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
Revue LISA
Kahn Albert
travel literature
photography
tourism
representation
Ireland (Republic of)
author_facet Karine Bigand
author_sort Karine Bigand
title Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
title_short Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
title_full Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
title_fullStr Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
title_full_unstemmed Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
title_sort marguerite mespoulet et madeleine mignon en irlande pour les archives de la planète : influences hors champ
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2014-06-01
description The seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early Christian monuments. However, far from being a holiday album or a tourist photocall, the two travellers’ Carnet d’Irlande forms part of a specific ideological and scientific project, designed and sponsored by banker Albert Kahn. The Archives de la Planète project, launched in 1912, was to draw “a form of photographic inventory of the surface of the Earth, as it is occupied and managed by men at the beginning of the 20th century.” The mission to Ireland was one of the first to be carried out, by two experienced travellers and confirmed intellectuals, Marguerite Mespoulet and Madeleine Mignon. This paper explores how and to what extent their view of Ireland at the turn of the century was informed by the ideological, methodological and technical constraints they had to respect.
topic Kahn Albert
travel literature
photography
tourism
representation
Ireland (Republic of)
url http://journals.openedition.org/lisa/5943
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