Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ
The seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early C...
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2014-06-01
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Online Access: | http://journals.openedition.org/lisa/5943 |
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doaj-8122e5222dfd4acdacb2a430261477e72021-10-02T11:39:34ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532014-06-0110.4000/lisa.5943Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champKarine BigandThe seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early Christian monuments. However, far from being a holiday album or a tourist photocall, the two travellers’ Carnet d’Irlande forms part of a specific ideological and scientific project, designed and sponsored by banker Albert Kahn. The Archives de la Planète project, launched in 1912, was to draw “a form of photographic inventory of the surface of the Earth, as it is occupied and managed by men at the beginning of the 20th century.” The mission to Ireland was one of the first to be carried out, by two experienced travellers and confirmed intellectuals, Marguerite Mespoulet and Madeleine Mignon. This paper explores how and to what extent their view of Ireland at the turn of the century was informed by the ideological, methodological and technical constraints they had to respect.http://journals.openedition.org/lisa/5943Kahn Alberttravel literaturephotographytourismrepresentationIreland (Republic of) |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Karine Bigand |
spellingShingle |
Karine Bigand Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ Revue LISA Kahn Albert travel literature photography tourism representation Ireland (Republic of) |
author_facet |
Karine Bigand |
author_sort |
Karine Bigand |
title |
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ |
title_short |
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ |
title_full |
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ |
title_fullStr |
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ |
title_full_unstemmed |
Marguerite Mespoulet et Madeleine Mignon en Irlande pour les Archives de la Planète : influences hors champ |
title_sort |
marguerite mespoulet et madeleine mignon en irlande pour les archives de la planète : influences hors champ |
publisher |
Maison de la Recherche en Sciences Humaines |
series |
Revue LISA |
issn |
1762-6153 |
publishDate |
2014-06-01 |
description |
The seventy-three autochromes that Marguerite Mespoulet and Madeleine Mignon took in Ireland and May and June 1913 were the first colour photographs of the island. They show traditional habitat, costumes, bog landscapes and crafts, as well as famous Celtic and early Christian monuments. However, far from being a holiday album or a tourist photocall, the two travellers’ Carnet d’Irlande forms part of a specific ideological and scientific project, designed and sponsored by banker Albert Kahn. The Archives de la Planète project, launched in 1912, was to draw “a form of photographic inventory of the surface of the Earth, as it is occupied and managed by men at the beginning of the 20th century.” The mission to Ireland was one of the first to be carried out, by two experienced travellers and confirmed intellectuals, Marguerite Mespoulet and Madeleine Mignon. This paper explores how and to what extent their view of Ireland at the turn of the century was informed by the ideological, methodological and technical constraints they had to respect. |
topic |
Kahn Albert travel literature photography tourism representation Ireland (Republic of) |
url |
http://journals.openedition.org/lisa/5943 |
work_keys_str_mv |
AT karinebigand margueritemespouletetmadeleinemignonenirlandepourlesarchivesdelaplaneteinfluenceshorschamp |
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1716856022754131968 |