“The enjoying of singing”: metapoesia and eufemization of time in ‘Ode discontinuous and remote for flute and oboe. From Ariana to Dionysus', by Hilda Hilst
The objective is to reflect on the metapoesia in the work of Hilda Hilst, from the analysis of Ode Discontinuous and Remote for Flute and Oboe. From Ariana to Dionysus. We understand that the passage of time is a central problem in the work of the poet. In Ode discontinuous..., the lyrical subject g...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal de Goiás
2019-05-01
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| Series: | Texto Poético |
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| Online Access: | http://rtp.emnuvens.com.br/rtp/article/view/599 |
| Summary: | The objective is to reflect on the metapoesia in the work of Hilda Hilst, from the analysis of Ode Discontinuous and Remote for Flute and Oboe. From Ariana to Dionysus. We understand that the passage of time is a central problem in the work of the poet. In Ode discontinuous..., the lyrical subject gives indications of exercising poetry as a confrontation of time, triggering a set of images that has as its center the poetic texture itself and that seem to minimize, through the imaginary, the relentless temporality present in other cuts of its production. The interdisciplinary theoretical axis includes, among others, Durand, Dufrenne and Pelbart.
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DOI: http://dx.doi.org/10.25094/rtp.2019n27a599 |
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| ISSN: | 1808-5385 |