PREFERENCJE MUZYCZNE W DOBIE POPULARNOŚCI STRUMIENIOWEGO SŁUCHANIA MUZYKI
The authors wonder how, in a situation of increasing use and access to streaming services, music preference research works. Today, when every listener leaves very detailed information about themselves – only using new forms of music distribution – it may not be necessary to study preferences. On t...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Wydawnictwa AGH
2020-03-01
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| Series: | Studia Humanistyczne AGH |
| Subjects: | |
| Online Access: | https://journals.bg.agh.edu.pl/STUDIA/2020.19.1/human.2020.19.1.71.pdf |
| Summary: | The authors wonder how, in a situation of increasing use and access to streaming services, music preference
research works. Today, when every listener leaves very detailed information about themselves – only using
new forms of music distribution – it may not be necessary to study preferences. On the other hand, such research
can answer the question “why” the consumer listens to a particular music, which will be a qualitative
indication, more precise than the map created by the algorithm. By streaming, the user creates his or her own
profile, often unconsciously, and the omnipotent algorithms transform it into appropriate music suggestions.
They do this in a “diplomatic” way, making the listener feel like making autonomous choices. It is therefore
worthwhile to look at the operation of the algorithms and the risks they pose. |
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| ISSN: | 2084-3364 2084-3364 |