Colour and texture associations in voice-induced synaesthesia

Voice-induced synaesthesia, a form of synaesthesia in which synaesthetic perceptions are induced by the sounds of people’s voices, appears to be relatively rare and has not been systematically studied. In this study we investigated the synaesthetic colour and visual texture perceptions experienced i...

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Main Authors: Anja eMoos, David eSimmons, Julia eSimner, Rachel eSmith
Format: Article
Language:English
Published: Frontiers Media S.A. 2013-09-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00568/full
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spelling doaj-7fd08a1b0c5a4b349ff7c5ae133d93962020-11-24T21:06:31ZengFrontiers Media S.A.Frontiers in Psychology1664-10782013-09-01410.3389/fpsyg.2013.0056858198Colour and texture associations in voice-induced synaesthesiaAnja eMoos0David eSimmons1Julia eSimner2Rachel eSmith3University of GlasgowUniversity of GlasgowUniversity of EdinburghUniversity of GlasgowVoice-induced synaesthesia, a form of synaesthesia in which synaesthetic perceptions are induced by the sounds of people’s voices, appears to be relatively rare and has not been systematically studied. In this study we investigated the synaesthetic colour and visual texture perceptions experienced in response to different types of voice quality (e.g. nasal, whisper, falsetto). Experiences of three different groups – self-reported voice synaesthetes, phoneticians and controls – were compared using both qualitative and quantitative analysis in a study conducted online. Whilst, in the qualitative analysis, synaesthetes used more colour and texture terms to describe voices than either phoneticians or controls, only weak differences, and many similarities, between groups were found in the quantitative analysis. Notable consistent results between groups were the matching of higher speech fundamental frequencies with lighter and redder colours, the matching of whispery voices with smoke-like textures and the matching of harsh and creaky voices with textures resembling dry cracked soil. These data are discussed in the light of current thinking about definitions and categorizations of synaesthesia, especially in cases where individuals apparently have a range of different synaesthetic inducers.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00568/fullcolourtextureSpeech Acousticsvoice-induced synaesthesiacross-modal correspondence
collection DOAJ
language English
format Article
sources DOAJ
author Anja eMoos
David eSimmons
Julia eSimner
Rachel eSmith
spellingShingle Anja eMoos
David eSimmons
Julia eSimner
Rachel eSmith
Colour and texture associations in voice-induced synaesthesia
Frontiers in Psychology
colour
texture
Speech Acoustics
voice-induced synaesthesia
cross-modal correspondence
author_facet Anja eMoos
David eSimmons
Julia eSimner
Rachel eSmith
author_sort Anja eMoos
title Colour and texture associations in voice-induced synaesthesia
title_short Colour and texture associations in voice-induced synaesthesia
title_full Colour and texture associations in voice-induced synaesthesia
title_fullStr Colour and texture associations in voice-induced synaesthesia
title_full_unstemmed Colour and texture associations in voice-induced synaesthesia
title_sort colour and texture associations in voice-induced synaesthesia
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2013-09-01
description Voice-induced synaesthesia, a form of synaesthesia in which synaesthetic perceptions are induced by the sounds of people’s voices, appears to be relatively rare and has not been systematically studied. In this study we investigated the synaesthetic colour and visual texture perceptions experienced in response to different types of voice quality (e.g. nasal, whisper, falsetto). Experiences of three different groups – self-reported voice synaesthetes, phoneticians and controls – were compared using both qualitative and quantitative analysis in a study conducted online. Whilst, in the qualitative analysis, synaesthetes used more colour and texture terms to describe voices than either phoneticians or controls, only weak differences, and many similarities, between groups were found in the quantitative analysis. Notable consistent results between groups were the matching of higher speech fundamental frequencies with lighter and redder colours, the matching of whispery voices with smoke-like textures and the matching of harsh and creaky voices with textures resembling dry cracked soil. These data are discussed in the light of current thinking about definitions and categorizations of synaesthesia, especially in cases where individuals apparently have a range of different synaesthetic inducers.
topic colour
texture
Speech Acoustics
voice-induced synaesthesia
cross-modal correspondence
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00568/full
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