THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS

This article is devoted to the dynamics of the Urals themes in works by Chekhov. The main evidence of the writer’s Ural experience is letters which he wrote during his three trips along the Urals (in 1890, 1901 and 1902). The first and most detailed cycle of the Ural letters is connected with Chekho...

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Main Author: Елена Георгиевна Власова (Elena G. Vlasova)
Format: Article
Language:English
Published: Perm State University 2017-12-01
Series:Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ
Subjects:
Online Access:http://press.psu.ru/index.php/philology/article/view/1106
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spelling doaj-7f86bc79490b464499ff2fab44a17dec2020-11-25T00:31:54ZengPerm State UniversityVestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ2073-66812017-12-0101989THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONSЕлена Георгиевна Власова (Elena G. Vlasova)0Пермский государственный национальный исследовательский университетThis article is devoted to the dynamics of the Urals themes in works by Chekhov. The main evidence of the writer’s Ural experience is letters which he wrote during his three trips along the Urals (in 1890, 1901 and 1902). The first and most detailed cycle of the Ural letters is connected with Chekhov's trip to Sakhalin. Describing Ural space in this cycle of letters, Chekhov often applies a device of the ironic use of literary formulas, established in the previous descriptions of the Urals. In subsequent cycles of the Ural letters the problem of exact description of external impressions comes to the fore. The image of the Urals recreated in Chekhov's letters is curious and significant as a result of direct emotional experience of the travel space. It does not claim to have completeness of description or conceptuality of assessment, though, while fixing some particular features of the seen, the letters give them the quality of expressive details, snatched from the flow of impressions as the most important emotional and cognitive experience. This experience has accumulated the writer’s great creative energy: the state of mind he had on the road, reinforced by emotional expressiveness of epistolary words, repeatedly echoes in his literary work. In particular, Chekhov’s letters clarify the circumstances of the Perm origin of the three sisters’ town, as well as the Urals allusions to the factory image in “Practice Case”. Generally, Chekhov's Ural letters are a vivid example of such a variety of travel literature as an epistolary travelogue.http://press.psu.ru/index.php/philology/article/view/1106А. П.Чеховэпистолярный травелогдемифологизация пространстваобраз Уралаобраз уральцаграница Европы и Азии.
collection DOAJ
language English
format Article
sources DOAJ
author Елена Георгиевна Власова (Elena G. Vlasova)
spellingShingle Елена Георгиевна Власова (Elena G. Vlasova)
THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ
А. П.Чехов
эпистолярный травелог
демифологизация пространства
образ Урала
образ уральца
граница Европы и Азии.
author_facet Елена Георгиевна Власова (Elena G. Vlasova)
author_sort Елена Георгиевна Власова (Elena G. Vlasova)
title THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
title_short THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
title_full THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
title_fullStr THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
title_full_unstemmed THE IMAGE OF THE URALS IN TRAVEL LETTERS OF ANTON CHEKHOV: IMPRESSIONS AND CREATIVE PROJECTIONS
title_sort image of the urals in travel letters of anton chekhov: impressions and creative projections
publisher Perm State University
series Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ
issn 2073-6681
publishDate 2017-12-01
description This article is devoted to the dynamics of the Urals themes in works by Chekhov. The main evidence of the writer’s Ural experience is letters which he wrote during his three trips along the Urals (in 1890, 1901 and 1902). The first and most detailed cycle of the Ural letters is connected with Chekhov's trip to Sakhalin. Describing Ural space in this cycle of letters, Chekhov often applies a device of the ironic use of literary formulas, established in the previous descriptions of the Urals. In subsequent cycles of the Ural letters the problem of exact description of external impressions comes to the fore. The image of the Urals recreated in Chekhov's letters is curious and significant as a result of direct emotional experience of the travel space. It does not claim to have completeness of description or conceptuality of assessment, though, while fixing some particular features of the seen, the letters give them the quality of expressive details, snatched from the flow of impressions as the most important emotional and cognitive experience. This experience has accumulated the writer’s great creative energy: the state of mind he had on the road, reinforced by emotional expressiveness of epistolary words, repeatedly echoes in his literary work. In particular, Chekhov’s letters clarify the circumstances of the Perm origin of the three sisters’ town, as well as the Urals allusions to the factory image in “Practice Case”. Generally, Chekhov's Ural letters are a vivid example of such a variety of travel literature as an epistolary travelogue.
topic А. П.Чехов
эпистолярный травелог
демифологизация пространства
образ Урала
образ уральца
граница Европы и Азии.
url http://press.psu.ru/index.php/philology/article/view/1106
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