Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai

This article takes the “island” as a key trope in tourism studies, exploring how ideas of culture and nature, as well as those of paradise (lost) are central to its interpretation for tourists and tourist industries alike. Increasingly, however, island tourism is blurring the line between geographie...

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Main Author: Pamila Gupta
Format: Article
Language:English
Published: University of Prince Edward Island 2015-11-01
Series:Island Studies Journal
Subjects:
Online Access:http://www.islandstudies.ca/sites/islandstudies.ca/files/ISJ-10-2-Gupta.pdf
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spelling doaj-7efe13a3b9234e609270b619eaf55f952020-11-25T03:11:48ZengUniversity of Prince Edward IslandIsland Studies Journal1715-25932015-11-01102181196Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, DubaiPamila Gupta0University of the WitwatersrandThis article takes the “island” as a key trope in tourism studies, exploring how ideas of culture and nature, as well as those of paradise (lost) are central to its interpretation for tourists and tourist industries alike. Increasingly, however, island tourism is blurring the line between geographies of land and water, continent and archipelago, and private and public property. The case of ‘The World’ islands mega project off the coast of Dubai (UAE) is used to chart the changing face and future of island tourism, exploring how spectacle, branding and discourses of the gigantic, miniature, and fake, particularly alongside technological mediations on a large-scale, reflect the postmodern neoliberal world of tourism and the liquid times in which we live. Artificial island complexes such as this one function as cosmopolitan ‘non-places’ at the same time that they reflect a resurgence in (British) nascent nationalism and colonial nostalgia, all the whilst operating in a sea of ‘junkspace’. The shifting cartography of ‘the island’ is thus mapped out to suggest new forms of place-making and tourism’s evolving relationship to these floating islandscapes. http://www.islandstudies.ca/sites/islandstudies.ca/files/ISJ-10-2-Gupta.pdfarchipelagocultureDubaiisland tourismnature
collection DOAJ
language English
format Article
sources DOAJ
author Pamila Gupta
spellingShingle Pamila Gupta
Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
Island Studies Journal
archipelago
culture
Dubai
island tourism
nature
author_facet Pamila Gupta
author_sort Pamila Gupta
title Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
title_short Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
title_full Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
title_fullStr Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
title_full_unstemmed Futures, fakes and discourses of the gigantic and miniature in ‘The World’ islands, Dubai
title_sort futures, fakes and discourses of the gigantic and miniature in ‘the world’ islands, dubai
publisher University of Prince Edward Island
series Island Studies Journal
issn 1715-2593
publishDate 2015-11-01
description This article takes the “island” as a key trope in tourism studies, exploring how ideas of culture and nature, as well as those of paradise (lost) are central to its interpretation for tourists and tourist industries alike. Increasingly, however, island tourism is blurring the line between geographies of land and water, continent and archipelago, and private and public property. The case of ‘The World’ islands mega project off the coast of Dubai (UAE) is used to chart the changing face and future of island tourism, exploring how spectacle, branding and discourses of the gigantic, miniature, and fake, particularly alongside technological mediations on a large-scale, reflect the postmodern neoliberal world of tourism and the liquid times in which we live. Artificial island complexes such as this one function as cosmopolitan ‘non-places’ at the same time that they reflect a resurgence in (British) nascent nationalism and colonial nostalgia, all the whilst operating in a sea of ‘junkspace’. The shifting cartography of ‘the island’ is thus mapped out to suggest new forms of place-making and tourism’s evolving relationship to these floating islandscapes.
topic archipelago
culture
Dubai
island tourism
nature
url http://www.islandstudies.ca/sites/islandstudies.ca/files/ISJ-10-2-Gupta.pdf
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