Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden

This articles examines how two Golden Age Spanish writers, Lope de Vega and Francisco de Quevedo, interpreted the figure of king Gustavus Adolphus of Sweden and how they received the news of his death in two sonnets dedicated to it. By examining the texts together, we contrast which images and struc...

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Main Authors: Jacobo Llamas Martínez, Antonio Sánchez Jiménez
Format: Article
Language:Catalan
Published: Universitat de Girona; Universitat Autònoma de Barcelona 2014-12-01
Series:Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
Subjects:
Online Access:https://studiaaurea.com/article/view/121
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spelling doaj-7e3aebd4fbce4b44b4a6a55f2e34ead22021-02-16T15:25:36ZcatUniversitat de Girona; Universitat Autònoma de BarcelonaStudia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro1988-10882014-12-018073310.5565/rev/studiaaurea.12163Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of SwedenJacobo Llamas Martínez0Antonio Sánchez Jiménez1Universidade de Santiago de CompostelaUniversité de NeuchâtelThis articles examines how two Golden Age Spanish writers, Lope de Vega and Francisco de Quevedo, interpreted the figure of king Gustavus Adolphus of Sweden and how they received the news of his death in two sonnets dedicated to it. By examining the texts together, we contrast which images and structures the poets used, and how that style reflected the emotions they wanted to evoke and the tradition in which they chose to inscribe themselves. After a short review of the funeral tradition in poetry, we examine the controversy around Gustavus Adolphus and analyze Lope’s sonnet--focusing on the changes between the 1632 and 1634 versions--and Quevedo’s. Comparing them, we learn that the two writers chose some parallel images and, above all, the same leitmotiv: a condemnation of ambition.https://studiaaurea.com/article/view/121lope de vegafrancisco de quevedogustavo adolfo de sueciasonetospoesía funeral
collection DOAJ
language Catalan
format Article
sources DOAJ
author Jacobo Llamas Martínez
Antonio Sánchez Jiménez
spellingShingle Jacobo Llamas Martínez
Antonio Sánchez Jiménez
Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
lope de vega
francisco de quevedo
gustavo adolfo de suecia
sonetos
poesía funeral
author_facet Jacobo Llamas Martínez
Antonio Sánchez Jiménez
author_sort Jacobo Llamas Martínez
title Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
title_short Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
title_full Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
title_fullStr Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
title_full_unstemmed Sonnets on the Death of the Lion of the North: Lope de Vega and Quevedo on Gustavus Adolphus of Sweden
title_sort sonnets on the death of the lion of the north: lope de vega and quevedo on gustavus adolphus of sweden
publisher Universitat de Girona; Universitat Autònoma de Barcelona
series Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
issn 1988-1088
publishDate 2014-12-01
description This articles examines how two Golden Age Spanish writers, Lope de Vega and Francisco de Quevedo, interpreted the figure of king Gustavus Adolphus of Sweden and how they received the news of his death in two sonnets dedicated to it. By examining the texts together, we contrast which images and structures the poets used, and how that style reflected the emotions they wanted to evoke and the tradition in which they chose to inscribe themselves. After a short review of the funeral tradition in poetry, we examine the controversy around Gustavus Adolphus and analyze Lope’s sonnet--focusing on the changes between the 1632 and 1634 versions--and Quevedo’s. Comparing them, we learn that the two writers chose some parallel images and, above all, the same leitmotiv: a condemnation of ambition.
topic lope de vega
francisco de quevedo
gustavo adolfo de suecia
sonetos
poesía funeral
url https://studiaaurea.com/article/view/121
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