Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present

This paper addresses the contemporary historical novel as a practice of critical ontology of the present. That is to say, a field of reflection that investigates the current ontological status. In the Colombian case, historical fiction has been attentive to interpret the past of violence and armed c...

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Main Author: Jorge Enrique Blanco García
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2021-01-01
Series:Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Subjects:
Online Access:http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/472
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spelling doaj-7e24ac02aa9c409d8a457fe7697dbb222021-09-02T15:32:19ZengUniversity Library System, University of PittsburghCatedral Tomada: Revista de Crítica Literaria Latinoamericana2169-08472021-01-01815629110.5195/ct/2020.472206Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the PresentJorge Enrique Blanco García0Universidad Autónoma de BarcelonaThis paper addresses the contemporary historical novel as a practice of critical ontology of the present. That is to say, a field of reflection that investigates the current ontological status. In the Colombian case, historical fiction has been attentive to interpret the past of violence and armed conflict in an aesthetic way as a mechanism to understand the future of the present. This essay proposes that historical novels, despite being located in a space-time already travelled, maintain a matrix of meaning anchored in the present reality's interpellation. To this end, this paper analyzes the novels The Crime of the Century (2006) by Miguel Torres and So much blood seen (2007) by Rafael Baena.http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/472literaturanovelaontologíaviolencia.
collection DOAJ
language English
format Article
sources DOAJ
author Jorge Enrique Blanco García
spellingShingle Jorge Enrique Blanco García
Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
Catedral Tomada: Revista de Crítica Literaria Latinoamericana
literatura
novela
ontología
violencia.
author_facet Jorge Enrique Blanco García
author_sort Jorge Enrique Blanco García
title Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
title_short Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
title_full Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
title_fullStr Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
title_full_unstemmed Silences and Repetitions of Violence in Colombia. The Historical Novel as an Ontological Criticism of the Present
title_sort silences and repetitions of violence in colombia. the historical novel as an ontological criticism of the present
publisher University Library System, University of Pittsburgh
series Catedral Tomada: Revista de Crítica Literaria Latinoamericana
issn 2169-0847
publishDate 2021-01-01
description This paper addresses the contemporary historical novel as a practice of critical ontology of the present. That is to say, a field of reflection that investigates the current ontological status. In the Colombian case, historical fiction has been attentive to interpret the past of violence and armed conflict in an aesthetic way as a mechanism to understand the future of the present. This essay proposes that historical novels, despite being located in a space-time already travelled, maintain a matrix of meaning anchored in the present reality's interpellation. To this end, this paper analyzes the novels The Crime of the Century (2006) by Miguel Torres and So much blood seen (2007) by Rafael Baena.
topic literatura
novela
ontología
violencia.
url http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/472
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