The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956

In 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to loc...

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Main Author: Ramon Sarró
Format: Article
Language:English
Published: Instituto Universitário de Lisboa 2010-06-01
Series:Cadernos de Estudos Africanos
Subjects:
Online Access:http://journals.openedition.org/cea/93
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spelling doaj-7dca011fa72f49dea706a1688b9ddde82020-11-25T01:18:42ZengInstituto Universitário de LisboaCadernos de Estudos Africanos1645-37942010-06-0118637410.4000/cea.93The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956Ramon SarróIn 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to local forms of music and ritual dance, did not want to accept the new one in the public sphere. Based on oral history, this article discusses the tension between youths and elders and proposes a generational and structural approach to the study of youth and modernity, suggesting that the tensions between youths and elders, and between new and old forms of popular culture may be much more ancient than normally assumed.http://journals.openedition.org/cea/93youthpopular cultureGuinea-ConacryBagaoral history
collection DOAJ
language English
format Article
sources DOAJ
author Ramon Sarró
spellingShingle Ramon Sarró
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
Cadernos de Estudos Africanos
youth
popular culture
Guinea-Conacry
Baga
oral history
author_facet Ramon Sarró
author_sort Ramon Sarró
title The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
title_short The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
title_full The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
title_fullStr The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
title_full_unstemmed The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
title_sort magic flute: how modern dances were introduced among baga sitem in guinea in 1956
publisher Instituto Universitário de Lisboa
series Cadernos de Estudos Africanos
issn 1645-3794
publishDate 2010-06-01
description In 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to local forms of music and ritual dance, did not want to accept the new one in the public sphere. Based on oral history, this article discusses the tension between youths and elders and proposes a generational and structural approach to the study of youth and modernity, suggesting that the tensions between youths and elders, and between new and old forms of popular culture may be much more ancient than normally assumed.
topic youth
popular culture
Guinea-Conacry
Baga
oral history
url http://journals.openedition.org/cea/93
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