The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956
In 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to loc...
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Instituto Universitário de Lisboa
2010-06-01
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Online Access: | http://journals.openedition.org/cea/93 |
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doaj-7dca011fa72f49dea706a1688b9ddde82020-11-25T01:18:42ZengInstituto Universitário de LisboaCadernos de Estudos Africanos1645-37942010-06-0118637410.4000/cea.93The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956Ramon SarróIn 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to local forms of music and ritual dance, did not want to accept the new one in the public sphere. Based on oral history, this article discusses the tension between youths and elders and proposes a generational and structural approach to the study of youth and modernity, suggesting that the tensions between youths and elders, and between new and old forms of popular culture may be much more ancient than normally assumed.http://journals.openedition.org/cea/93youthpopular cultureGuinea-ConacryBagaoral history |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ramon Sarró |
spellingShingle |
Ramon Sarró The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 Cadernos de Estudos Africanos youth popular culture Guinea-Conacry Baga oral history |
author_facet |
Ramon Sarró |
author_sort |
Ramon Sarró |
title |
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 |
title_short |
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 |
title_full |
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 |
title_fullStr |
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 |
title_full_unstemmed |
The Magic Flute: How modern dances were introduced among Baga Sitem in Guinea in 1956 |
title_sort |
magic flute: how modern dances were introduced among baga sitem in guinea in 1956 |
publisher |
Instituto Universitário de Lisboa |
series |
Cadernos de Estudos Africanos |
issn |
1645-3794 |
publishDate |
2010-06-01 |
description |
In 1956, le bal, i.e. new forms of French-inspired music and dance were introduced among the Baga Sitem of French Guinea at a time of global youth consciousness. At the time, the youths fell fascinated by the new instruments and bodily languages of le bal, but their elders, much more attached to local forms of music and ritual dance, did not want to accept the new one in the public sphere. Based on oral history, this article discusses the tension between youths and elders and proposes a generational and structural approach to the study of youth and modernity, suggesting that the tensions between youths and elders, and between new and old forms of popular culture may be much more ancient than normally assumed. |
topic |
youth popular culture Guinea-Conacry Baga oral history |
url |
http://journals.openedition.org/cea/93 |
work_keys_str_mv |
AT ramonsarro themagicflutehowmoderndanceswereintroducedamongbagasiteminguineain1956 AT ramonsarro magicflutehowmoderndanceswereintroducedamongbagasiteminguineain1956 |
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