Harmony, Sacrifice, and Agamben’s Messianic Time

Harmony, Sacrifice, and Agamben’s Messianic Time

In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos. Giorgio Agamben’s recent writings on the sacred and on messianic time shed new light on the emergence of polypho...

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Main Author: Janet Danielson
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2015-04-01
Series:Muzikološki Zbornik
Online Access:https://193.2.70.196/MuzikoloskiZbornik/article/view/2989
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spelling doaj-7d57d4ab131f4083b1d9b018e26307cf2021-03-02T05:43:14ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422015-04-0150210.4312/mz.50.2.17-30Harmony, Sacrifice, and Agamben’s Messianic TimeJanet Danielson0Simon Fraser University, Canada In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos. Giorgio Agamben’s recent writings on the sacred and on messianic time shed new light on the emergence of polyphony. He warns that capitalism, subsuming sacral power, reduces art either to spectacle or to object for consumption.  https://193.2.70.196/MuzikoloskiZbornik/article/view/2989
collection DOAJ
language deu
format Article
sources DOAJ
author Janet Danielson
spellingShingle Janet Danielson
Harmony, Sacrifice, and Agamben’s Messianic Time
Muzikološki Zbornik
author_facet Janet Danielson
author_sort Janet Danielson
title Harmony, Sacrifice, and Agamben’s Messianic Time
title_short Harmony, Sacrifice, and Agamben’s Messianic Time
title_full Harmony, Sacrifice, and Agamben’s Messianic Time
title_fullStr Harmony, Sacrifice, and Agamben’s Messianic Time
title_full_unstemmed Harmony, Sacrifice, and Agamben’s Messianic Time
title_sort harmony, sacrifice, and agamben’s messianic time
publisher Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
series Muzikološki Zbornik
issn 0580-373X
2350-4242
publishDate 2015-04-01
description In the early twentieth century, harmony, the sacred, and even time were seen as impediments to artistic freedom, though for the ancients, harmony was the integrating force of the cosmos. Giorgio Agamben’s recent writings on the sacred and on messianic time shed new light on the emergence of polyphony. He warns that capitalism, subsuming sacral power, reduces art either to spectacle or to object for consumption. 
url https://193.2.70.196/MuzikoloskiZbornik/article/view/2989
work_keys_str_mv AT janetdanielson harmonysacrificeandagambensmessianictime
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