Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages

The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clear...

Full description

Bibliographic Details
Main Author: Starodubcev Tatjana
Format: Article
Language:Bulgarian
Published: Institute for Byzantine Studies of the Serbian Academy of Sciences and Arts 2019-01-01
Series:Zbornik Radova Vizantološkog Instituta
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0584-9888/2019/0584-98881956171S.pdf
id doaj-7c5baa5a9ded4e2b8b02de86edb39a69
record_format Article
spelling doaj-7c5baa5a9ded4e2b8b02de86edb39a692020-11-25T02:17:52ZbulInstitute for Byzantine Studies of the Serbian Academy of Sciences and ArtsZbornik Radova Vizantološkog Instituta0584-98882406-09172019-01-0120195617119510.2298/ZRVI1956171S0584-98881956171SSaint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle agesStarodubcev Tatjana0University of Novi Sad, Academy of ArtsThe study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comparing artistic evidence and written sources. Finally, the paper asks from which of the major Byzantine centers of culture and art the practice of representing St. Luke of Steiris, with all the features common in his iconography, came to be accepted in the Serbian milieu, which seems to have occurred in the time of King Milutin (1282-1321). [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177036]http://www.doiserbia.nb.rs/img/doi/0584-9888/2019/0584-98881956171S.pdftreskavacst. luke of steirisrepresentationiconographycultphokisbyzantiumserbia
collection DOAJ
language Bulgarian
format Article
sources DOAJ
author Starodubcev Tatjana
spellingShingle Starodubcev Tatjana
Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
Zbornik Radova Vizantološkog Instituta
treskavac
st. luke of steiris
representation
iconography
cult
phokis
byzantium
serbia
author_facet Starodubcev Tatjana
author_sort Starodubcev Tatjana
title Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
title_short Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
title_full Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
title_fullStr Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
title_full_unstemmed Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages
title_sort saint luke of steiris in the exonarthex of the church of the treskavac monastery and his cult and representation in the middle ages
publisher Institute for Byzantine Studies of the Serbian Academy of Sciences and Arts
series Zbornik Radova Vizantološkog Instituta
issn 0584-9888
2406-0917
publishDate 2019-01-01
description The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comparing artistic evidence and written sources. Finally, the paper asks from which of the major Byzantine centers of culture and art the practice of representing St. Luke of Steiris, with all the features common in his iconography, came to be accepted in the Serbian milieu, which seems to have occurred in the time of King Milutin (1282-1321). [Project of the Serbian Ministry of Education, Science and Technological Development, Grant no. 177036]
topic treskavac
st. luke of steiris
representation
iconography
cult
phokis
byzantium
serbia
url http://www.doiserbia.nb.rs/img/doi/0584-9888/2019/0584-98881956171S.pdf
work_keys_str_mv AT starodubcevtatjana saintlukeofsteirisintheexonarthexofthechurchofthetreskavacmonasteryandhiscultandrepresentationinthemiddleages
_version_ 1724884622911733760