La fin de l’histoire, ou l’imaginaire de la mort en BD

The comic strip is an art of graphic representation that vividly expresses human fantasies, in particular those involved in representations of what lies beyond the grave. This article concentrates on how death is treated by Hergé and Jacobs, two classic twentieth-century authors of printed comics in...

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Main Author: René Nouailhat
Format: Article
Language:fra
Published: Éditions de la Sorbonne 2015-09-01
Series:Socio-anthropologie
Subjects:
Online Access:http://journals.openedition.org/socio-anthropologie/2096
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spelling doaj-7bfac82cf41f411098bf6488024321e32020-11-24T21:57:45ZfraÉditions de la SorbonneSocio-anthropologie1276-87071773-018X2015-09-0131233510.4000/socio-anthropologie.2096La fin de l’histoire, ou l’imaginaire de la mort en BDRené NouailhatThe comic strip is an art of graphic representation that vividly expresses human fantasies, in particular those involved in representations of what lies beyond the grave. This article concentrates on how death is treated by Hergé and Jacobs, two classic twentieth-century authors of printed comics in the Franco-Belgian context where comic books developed. In a world in which secularization has gradually effaced explicit religious references, it appears that representations of death remain strongly structured by mythological schemas inherited from the Bible and a Christian referent. More recent comics develop the theme of death in several ways and multiply representations of the afterlife in the realms of the marvellous, the fantastic and the supernatural, thereby stimulating graphic invention. This theme is particularly revealing about the anxieties that preoccupy our contemporary imaginary.http://journals.openedition.org/socio-anthropologie/2096ComicsImaginaryFantasiesDeathLiving DeadDie with Laughter
collection DOAJ
language fra
format Article
sources DOAJ
author René Nouailhat
spellingShingle René Nouailhat
La fin de l’histoire, ou l’imaginaire de la mort en BD
Socio-anthropologie
Comics
Imaginary
Fantasies
Death
Living Dead
Die with Laughter
author_facet René Nouailhat
author_sort René Nouailhat
title La fin de l’histoire, ou l’imaginaire de la mort en BD
title_short La fin de l’histoire, ou l’imaginaire de la mort en BD
title_full La fin de l’histoire, ou l’imaginaire de la mort en BD
title_fullStr La fin de l’histoire, ou l’imaginaire de la mort en BD
title_full_unstemmed La fin de l’histoire, ou l’imaginaire de la mort en BD
title_sort la fin de l’histoire, ou l’imaginaire de la mort en bd
publisher Éditions de la Sorbonne
series Socio-anthropologie
issn 1276-8707
1773-018X
publishDate 2015-09-01
description The comic strip is an art of graphic representation that vividly expresses human fantasies, in particular those involved in representations of what lies beyond the grave. This article concentrates on how death is treated by Hergé and Jacobs, two classic twentieth-century authors of printed comics in the Franco-Belgian context where comic books developed. In a world in which secularization has gradually effaced explicit religious references, it appears that representations of death remain strongly structured by mythological schemas inherited from the Bible and a Christian referent. More recent comics develop the theme of death in several ways and multiply representations of the afterlife in the realms of the marvellous, the fantastic and the supernatural, thereby stimulating graphic invention. This theme is particularly revealing about the anxieties that preoccupy our contemporary imaginary.
topic Comics
Imaginary
Fantasies
Death
Living Dead
Die with Laughter
url http://journals.openedition.org/socio-anthropologie/2096
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