INTERTEXTUALITY: LUIGI PIRANDELLO’S IL FU MATTIA PASCAL AND BRANISLAV NUŠIĆ’S POKOJNIK (THE DECEASED)

This paper will attempt to explain the reasons why it is possible to see Luigi Pirandello’s Il fu Mattia Pascal as the subtext of Branislav Nušić’s last play Pokojnik (The Deceased). The novel and the play have many common motifs and they also have a similar composition. Apart from their similar mo...

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Bibliographic Details
Main Author: Livija Ekmečić
Format: Article
Language:deu
Published: Università degli Studi di Torino 2018-12-01
Series:RiCognizioni
Subjects:
Online Access:https://www.ojs.unito.it/index.php/ricognizioni/article/view/2488

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