Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique

The present paper deals with the discursive construction of persuasiveness in media language. Based on eighty reviews of two French comedies Intouchables (2011) and Qu’est-ce qu’on a fait au Bon Dieu ? (2014), different components of the genre ‘film review’ – relatively little explored until recentl...

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Main Author: Dominika Topa-Bryniarska
Format: Article
Language:Catalan
Published: Adam Mickiewicz University 2017-09-01
Series:Studia Romanica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/srp/article/view/12267/12103
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spelling doaj-7b8eb40afedc444b953e72edf9e7f1312021-08-03T00:31:09ZcatAdam Mickiewicz UniversityStudia Romanica Posnaniensia0137-24752084-41582017-09-0144318319610.14746/strop.2017.443.012Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétoriqueDominika Topa-Bryniarska0Université de SilésieThe present paper deals with the discursive construction of persuasiveness in media language. Based on eighty reviews of two French comedies Intouchables (2011) and Qu’est-ce qu’on a fait au Bon Dieu ? (2014), different components of the genre ‘film review’ – relatively little explored until recently – are established in the light of two operations of metonymy exploring the rhetorical argument from community. As the operations mentioned contribute to influencing the addressees’ will and decisions, they perform the phatic function linked to the rhetoric principle of movere and delectare. Accordingly, it is important to notice that the persuasive strategies reflect some methods used in advertising discourse, especially with regard to indirect means of interpretation, values and emotions, which become starting points for the deliberative dimension of the film review. These parameters permit to reduce the infor-mation verification process by applying colloquial expressions, directive speech acts, collocative pronouns and generic quantifiers, since they stem from the trustworthiness relation connected with the peripheral route of persuasive influence.https://pressto.amu.edu.pl/index.php/srp/article/view/12267/12103discursive strategies of persuasionfilm reviewphatic functionmetonymydeliberative dimension of the film reviewtrustworthiness relation
collection DOAJ
language Catalan
format Article
sources DOAJ
author Dominika Topa-Bryniarska
spellingShingle Dominika Topa-Bryniarska
Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
Studia Romanica Posnaniensia
discursive strategies of persuasion
film review
phatic function
metonymy
deliberative dimension of the film review
trustworthiness relation
author_facet Dominika Topa-Bryniarska
author_sort Dominika Topa-Bryniarska
title Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
title_short Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
title_full Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
title_fullStr Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
title_full_unstemmed Stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
title_sort stratégies discursives de persuasion dans la critique de cinéma comme activité rhétorique
publisher Adam Mickiewicz University
series Studia Romanica Posnaniensia
issn 0137-2475
2084-4158
publishDate 2017-09-01
description The present paper deals with the discursive construction of persuasiveness in media language. Based on eighty reviews of two French comedies Intouchables (2011) and Qu’est-ce qu’on a fait au Bon Dieu ? (2014), different components of the genre ‘film review’ – relatively little explored until recently – are established in the light of two operations of metonymy exploring the rhetorical argument from community. As the operations mentioned contribute to influencing the addressees’ will and decisions, they perform the phatic function linked to the rhetoric principle of movere and delectare. Accordingly, it is important to notice that the persuasive strategies reflect some methods used in advertising discourse, especially with regard to indirect means of interpretation, values and emotions, which become starting points for the deliberative dimension of the film review. These parameters permit to reduce the infor-mation verification process by applying colloquial expressions, directive speech acts, collocative pronouns and generic quantifiers, since they stem from the trustworthiness relation connected with the peripheral route of persuasive influence.
topic discursive strategies of persuasion
film review
phatic function
metonymy
deliberative dimension of the film review
trustworthiness relation
url https://pressto.amu.edu.pl/index.php/srp/article/view/12267/12103
work_keys_str_mv AT dominikatopabryniarska strategiesdiscursivesdepersuasiondanslacritiquedecinemacommeactiviterhetorique
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