Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest

This article examines how the ideological boundaries of East and West are built, maintained and challenged through the performance of sexual and other politics in the Eurovision Song Contest (ESC). It argues that the contest is a useful prism through which to examine and understand contemporary Euro...

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Bibliographic Details
Main Author: Jessica Carniel
Format: Article
Language:English
Published: Centre for Southeast European Studies 2015-05-01
Series:Contemporary Southeastern Europe
Subjects:
Online Access:http://unipub.uni-graz.at/cse/periodical/pageview/457377
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spelling doaj-7b499707427a42d9871863983e0e5aba2020-11-25T00:26:27ZengCentre for Southeast European Studies Contemporary Southeastern Europe2310-36122310-36122015-05-0121136154Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song ContestJessica Carniel0University of Southern QueenslandThis article examines how the ideological boundaries of East and West are built, maintained and challenged through the performance of sexual and other politics in the Eurovision Song Contest (ESC). It argues that the contest is a useful prism through which to examine and understand contemporary European debates about sexual politics, and the role that this plays in defining the borders of modern Europe and its conditions of belonging. The contest itself offers an important site for belonging to the European community both to states on the eastern margins and to queer communities throughout Europe. It examines examples of performances that have challenged sexual politics, such as the Finnish entry from 2013, as well as state responses to the queer dimensions of the contest, such as those from Russia and Azerbaijan. It concludes that different states may challenge the ESC rules on political gestures depending on their own status within the European community as well as the extent to which that gesture challenges or reaffirms “European” ideology. http://unipub.uni-graz.at/cse/periodical/pageview/457377sexual politicshuman rightsEurovision Song Contest
collection DOAJ
language English
format Article
sources DOAJ
author Jessica Carniel
spellingShingle Jessica Carniel
Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
Contemporary Southeastern Europe
sexual politics
human rights
Eurovision Song Contest
author_facet Jessica Carniel
author_sort Jessica Carniel
title Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
title_short Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
title_full Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
title_fullStr Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
title_full_unstemmed Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest
title_sort skirting the issue: finding queer and geopolitical belonging at the eurovision song contest
publisher Centre for Southeast European Studies
series Contemporary Southeastern Europe
issn 2310-3612
2310-3612
publishDate 2015-05-01
description This article examines how the ideological boundaries of East and West are built, maintained and challenged through the performance of sexual and other politics in the Eurovision Song Contest (ESC). It argues that the contest is a useful prism through which to examine and understand contemporary European debates about sexual politics, and the role that this plays in defining the borders of modern Europe and its conditions of belonging. The contest itself offers an important site for belonging to the European community both to states on the eastern margins and to queer communities throughout Europe. It examines examples of performances that have challenged sexual politics, such as the Finnish entry from 2013, as well as state responses to the queer dimensions of the contest, such as those from Russia and Azerbaijan. It concludes that different states may challenge the ESC rules on political gestures depending on their own status within the European community as well as the extent to which that gesture challenges or reaffirms “European” ideology.
topic sexual politics
human rights
Eurovision Song Contest
url http://unipub.uni-graz.at/cse/periodical/pageview/457377
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