‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological ap...
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Department of Art History, University of Birmingham
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doaj-7a5ff018a4ce472f874a503e450566ea2020-11-25T02:52:54ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522014-12-011111MM1‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012Michele Matteini0New York UniversityOriginal Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological approach to and conceptual framing of issues like authenticity, and originality. The essay brings the volume and individual essays in relation to ongoing debates on materiality and making in the fields of Chinese and Western art, arguing for the possibility of a cross-cultural history of the material world.https://arthistoriography.files.wordpress.com/2014/12/matteini-review.pdfmaterialityforgeryauthenticityChinese art |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Michele Matteini |
spellingShingle |
Michele Matteini ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 Journal of Art Historiography materiality forgery authenticity Chinese art |
author_facet |
Michele Matteini |
author_sort |
Michele Matteini |
title |
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 |
title_short |
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 |
title_full |
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 |
title_fullStr |
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 |
title_full_unstemmed |
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012 |
title_sort |
‘china: the empire of things’: jason steuber and nick pearce, original intentions: essays on the production, reproduction, and interpretation in the arts of china, gainesville, fl: university of florida press 2012 |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2014-12-01 |
description |
Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological approach to and conceptual framing of issues like authenticity, and originality. The essay brings the volume and individual essays in relation to ongoing debates on materiality and making in the fields of Chinese and Western art, arguing for the possibility of a cross-cultural history of the material world. |
topic |
materiality forgery authenticity Chinese art |
url |
https://arthistoriography.files.wordpress.com/2014/12/matteini-review.pdf |
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