‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012

Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological ap...

Full description

Bibliographic Details
Main Author: Michele Matteini
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2014-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2014/12/matteini-review.pdf
id doaj-7a5ff018a4ce472f874a503e450566ea
record_format Article
spelling doaj-7a5ff018a4ce472f874a503e450566ea2020-11-25T02:52:54ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522014-12-011111MM1‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012Michele Matteini0New York UniversityOriginal Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological approach to and conceptual framing of issues like authenticity, and originality. The essay brings the volume and individual essays in relation to ongoing debates on materiality and making in the fields of Chinese and Western art, arguing for the possibility of a cross-cultural history of the material world.https://arthistoriography.files.wordpress.com/2014/12/matteini-review.pdfmaterialityforgeryauthenticityChinese art
collection DOAJ
language English
format Article
sources DOAJ
author Michele Matteini
spellingShingle Michele Matteini
‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
Journal of Art Historiography
materiality
forgery
authenticity
Chinese art
author_facet Michele Matteini
author_sort Michele Matteini
title ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
title_short ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
title_full ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
title_fullStr ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
title_full_unstemmed ‘China: the empire of things’: Jason Steuber and Nick Pearce, Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China, Gainesville, FL: University of Florida Press 2012
title_sort ‘china: the empire of things’: jason steuber and nick pearce, original intentions: essays on the production, reproduction, and interpretation in the arts of china, gainesville, fl: university of florida press 2012
publisher Department of Art History, University of Birmingham
series Journal of Art Historiography
issn 2042-4752
publishDate 2014-12-01
description Original Intentions: Essays on the Production, Reproduction, and Interpretation in the Arts of China is a collection of studies on the creation, circulation, and reception of three-dimensional objects from the Bronze Age to the modern times. This review concentrates on the volume’s methodological approach to and conceptual framing of issues like authenticity, and originality. The essay brings the volume and individual essays in relation to ongoing debates on materiality and making in the fields of Chinese and Western art, arguing for the possibility of a cross-cultural history of the material world.
topic materiality
forgery
authenticity
Chinese art
url https://arthistoriography.files.wordpress.com/2014/12/matteini-review.pdf
work_keys_str_mv AT michelematteini chinatheempireofthingsjasonsteuberandnickpearceoriginalintentionsessaysontheproductionreproductionandinterpretationintheartsofchinagainesvillefluniversityoffloridapress2012
_version_ 1724727837138616320