Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman

This paper reconsiders the relation between digitally modeled architecture and a body in front of it or in it. Such a relationship investigates production or better affection of haptic space in a viewer’s body, and thus dislocation of the discursive function of the human subject and vision. Developi...

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Main Author: Željka Pješivac
Format: Article
Language:English
Published: Singidunum University. Faculty of Media and Communications 2013-06-01
Series:AM: Art + Media
Subjects:
Online Access:http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/39
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spelling doaj-7a4f9ae4d75e42dcbeee70101d609a122020-11-24T23:21:13ZengSingidunum University. Faculty of Media and CommunicationsAM: Art + Media2217-96662406-16542013-06-0103838910.25038/am.v0i3.3940Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter EisenmanŽeljka Pješivac0Group for Theory of Arts and Media, University of Arts, BelgradeThis paper reconsiders the relation between digitally modeled architecture and a body in front of it or in it. Such a relationship investigates production or better affection of haptic space in a viewer’s body, and thus dislocation of the discursive function of the human subject and vision. Developing this thesis through historical, comparative and analytical method, the objective of this paper is to elaborate contemporary cognitions of affect and affectation (in the era of digital media) and modifications of a body perception in interaction with digital technology manifested through architectural design. The starting point is based on the philosophical views of Henri Bergson, Gilles Deleuze, Felix Guattari and Mark Hansen. Attention is moving from poststructuralistic semiology and theory of text toward a new phenomenology.http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/39affect, affection, affectivity, the fold, smooth and striated space, effective and affective space, optic and haptic space
collection DOAJ
language English
format Article
sources DOAJ
author Željka Pješivac
spellingShingle Željka Pješivac
Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
AM: Art + Media
affect, affection, affectivity, the fold, smooth and striated space, effective and affective space, optic and haptic space
author_facet Željka Pješivac
author_sort Željka Pješivac
title Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
title_short Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
title_full Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
title_fullStr Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
title_full_unstemmed Afektivna topologija: Maks Rajnhard kuća (1992) Pitera Ajzenmana / The Affective Topology: Max Reinhardt House (1992) by Peter Eisenman
title_sort afektivna topologija: maks rajnhard kuća (1992) pitera ajzenmana / the affective topology: max reinhardt house (1992) by peter eisenman
publisher Singidunum University. Faculty of Media and Communications
series AM: Art + Media
issn 2217-9666
2406-1654
publishDate 2013-06-01
description This paper reconsiders the relation between digitally modeled architecture and a body in front of it or in it. Such a relationship investigates production or better affection of haptic space in a viewer’s body, and thus dislocation of the discursive function of the human subject and vision. Developing this thesis through historical, comparative and analytical method, the objective of this paper is to elaborate contemporary cognitions of affect and affectation (in the era of digital media) and modifications of a body perception in interaction with digital technology manifested through architectural design. The starting point is based on the philosophical views of Henri Bergson, Gilles Deleuze, Felix Guattari and Mark Hansen. Attention is moving from poststructuralistic semiology and theory of text toward a new phenomenology.
topic affect, affection, affectivity, the fold, smooth and striated space, effective and affective space, optic and haptic space
url http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/39
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