Continuité, canonicité et complétude dans Doctor Who
This article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that do...
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Groupe de Recherche Identités et Cultures
2014-12-01
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Online Access: | http://journals.openedition.org/tvseries/327 |
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doaj-79da396476974fff8d72633559e3a7cb2020-11-24T20:48:58ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092014-12-01610.4000/tvseries.327Continuité, canonicité et complétude dans Doctor WhoFlorent FavardThis article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that does not conform to the strict definition of transmedia storytelling. The most recent period of production of the program (since 2010) is also analyzed, in that it reveals a tension between respect and reconfiguration of the continuity. The degrees of canonicity of the various works related to the mother-seies, its reception by audiences, and the program’s process of production are reviewed in order to establish the most complete portrait of a transmedia work that finds its dynamic in ellipsis via the technique of retroactive completeness, in a development that evokes the rhizome rather than the tree, and in a constant and fluid renewal of its aesthetic and economic stakes.http://journals.openedition.org/tvseries/327Doctor Whotransmediaellipsismulti-authorialityreception |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Florent Favard |
spellingShingle |
Florent Favard Continuité, canonicité et complétude dans Doctor Who TV Series Doctor Who transmedia ellipsis multi-authoriality reception |
author_facet |
Florent Favard |
author_sort |
Florent Favard |
title |
Continuité, canonicité et complétude dans Doctor Who |
title_short |
Continuité, canonicité et complétude dans Doctor Who |
title_full |
Continuité, canonicité et complétude dans Doctor Who |
title_fullStr |
Continuité, canonicité et complétude dans Doctor Who |
title_full_unstemmed |
Continuité, canonicité et complétude dans Doctor Who |
title_sort |
continuité, canonicité et complétude dans doctor who |
publisher |
Groupe de Recherche Identités et Cultures |
series |
TV Series |
issn |
2266-0909 |
publishDate |
2014-12-01 |
description |
This article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that does not conform to the strict definition of transmedia storytelling. The most recent period of production of the program (since 2010) is also analyzed, in that it reveals a tension between respect and reconfiguration of the continuity. The degrees of canonicity of the various works related to the mother-seies, its reception by audiences, and the program’s process of production are reviewed in order to establish the most complete portrait of a transmedia work that finds its dynamic in ellipsis via the technique of retroactive completeness, in a development that evokes the rhizome rather than the tree, and in a constant and fluid renewal of its aesthetic and economic stakes. |
topic |
Doctor Who transmedia ellipsis multi-authoriality reception |
url |
http://journals.openedition.org/tvseries/327 |
work_keys_str_mv |
AT florentfavard continuitecanoniciteetcompletudedansdoctorwho |
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