Continuité, canonicité et complétude dans Doctor Who

This article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that do...

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Bibliographic Details
Main Author: Florent Favard
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2014-12-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/327
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spelling doaj-79da396476974fff8d72633559e3a7cb2020-11-24T20:48:58ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092014-12-01610.4000/tvseries.327Continuité, canonicité et complétude dans Doctor WhoFlorent FavardThis article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that does not conform to the strict definition of transmedia storytelling. The most recent period of production of the program (since 2010) is also analyzed, in that it reveals a tension between respect and reconfiguration of the continuity. The degrees of canonicity of the various works related to the mother-seies, its reception by audiences, and the program’s process of production are reviewed in order to establish the most complete portrait of a transmedia work that finds its dynamic in ellipsis via the technique of retroactive completeness, in a development that evokes the rhizome rather than the tree, and in a constant and fluid renewal of its aesthetic and economic stakes.http://journals.openedition.org/tvseries/327Doctor Whotransmediaellipsismulti-authorialityreception
collection DOAJ
language English
format Article
sources DOAJ
author Florent Favard
spellingShingle Florent Favard
Continuité, canonicité et complétude dans Doctor Who
TV Series
Doctor Who
transmedia
ellipsis
multi-authoriality
reception
author_facet Florent Favard
author_sort Florent Favard
title Continuité, canonicité et complétude dans Doctor Who
title_short Continuité, canonicité et complétude dans Doctor Who
title_full Continuité, canonicité et complétude dans Doctor Who
title_fullStr Continuité, canonicité et complétude dans Doctor Who
title_full_unstemmed Continuité, canonicité et complétude dans Doctor Who
title_sort continuité, canonicité et complétude dans doctor who
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2014-12-01
description This article explores the complex relation to continuity in the British show Doctor Who (BBC, 1963-1989, 2005-), by looking into its multi-auctoriality from a diachronic and then synchronic point of view, and by detailing a fictional world dispersed between multiple media following a process that does not conform to the strict definition of transmedia storytelling. The most recent period of production of the program (since 2010) is also analyzed, in that it reveals a tension between respect and reconfiguration of the continuity. The degrees of canonicity of the various works related to the mother-seies, its reception by audiences, and the program’s process of production are reviewed in order to establish the most complete portrait of a transmedia work that finds its dynamic in ellipsis via the technique of retroactive completeness, in a development that evokes the rhizome rather than the tree, and in a constant and fluid renewal of its aesthetic and economic stakes.
topic Doctor Who
transmedia
ellipsis
multi-authoriality
reception
url http://journals.openedition.org/tvseries/327
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