Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle

In late 19th century Paris, bath houses and music-halls were reputed to be places where debauchery, prostitution, and offences against public decency were frequent. Even if these places effectively gave rise to homosexual encounters and soliciting, observers of the time represented them in many diff...

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Main Author: Lise Manin
Format: Article
Language:fra
Published: Genre, Sexualité et Société 2013-12-01
Series:Genre, Sexualité et Société
Subjects:
Online Access:http://journals.openedition.org/gss/2955
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spelling doaj-797d8e5887f046049d79fc3622137db22020-11-24T21:02:28ZfraGenre, Sexualité et SociétéGenre, Sexualité et Société2104-37362013-12-011010.4000/gss.2955Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècleLise ManinIn late 19th century Paris, bath houses and music-halls were reputed to be places where debauchery, prostitution, and offences against public decency were frequent. Even if these places effectively gave rise to homosexual encounters and soliciting, observers of the time represented them in many different ways. This is because these places not only promoted sexual encounters and sex trade, but also encouraged exhibitionism and voyeurism, due to the display of bodies more or less exposed, thus contributing in many ways to the construction of the erotic image attached to Paris. In this article, my aim is to understand the practices that these establishments hosted and to compare the different representations that they engendered, so that we may grasp the ‘eroticising’ dynamics of these spaces, the imagination of the erotic place, and the different motifs on which the discourse of Parisian Eros at the end of the 19th century are based.http://journals.openedition.org/gss/2955Music-hallsbath housessexualityeroticismParishistoriography
collection DOAJ
language fra
format Article
sources DOAJ
author Lise Manin
spellingShingle Lise Manin
Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
Genre, Sexualité et Société
Music-halls
bath houses
sexuality
eroticism
Paris
historiography
author_facet Lise Manin
author_sort Lise Manin
title Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
title_short Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
title_full Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
title_fullStr Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
title_full_unstemmed Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle
title_sort perverses promiscuités ? bains publics et cafés-concerts parisiens au second xixe siècle
publisher Genre, Sexualité et Société
series Genre, Sexualité et Société
issn 2104-3736
publishDate 2013-12-01
description In late 19th century Paris, bath houses and music-halls were reputed to be places where debauchery, prostitution, and offences against public decency were frequent. Even if these places effectively gave rise to homosexual encounters and soliciting, observers of the time represented them in many different ways. This is because these places not only promoted sexual encounters and sex trade, but also encouraged exhibitionism and voyeurism, due to the display of bodies more or less exposed, thus contributing in many ways to the construction of the erotic image attached to Paris. In this article, my aim is to understand the practices that these establishments hosted and to compare the different representations that they engendered, so that we may grasp the ‘eroticising’ dynamics of these spaces, the imagination of the erotic place, and the different motifs on which the discourse of Parisian Eros at the end of the 19th century are based.
topic Music-halls
bath houses
sexuality
eroticism
Paris
historiography
url http://journals.openedition.org/gss/2955
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