Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles

Focusing on the hotel imagery and, more precisely, the hotel Majestic featured in J.G. Farrell’s 1970 novel Troubles, this article provides a spatial contextualization of the historical downfall of the British Empire. In an attempt to establish the concept of the “colonial hotel”, this particular ty...

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Main Author: Parezanović Tijana
Format: Article
Language:English
Published: Sciendo 2016-07-01
Series:Prague Journal of English Studies
Subjects:
Online Access:https://doi.org/10.1515/pjes-2016-0003
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spelling doaj-795d6a3a71704be2b3582c5534182e382021-09-05T13:59:45ZengSciendoPrague Journal of English Studies2336-26852016-07-0151537010.1515/pjes-2016-0003pjes-2016-0003Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s TroublesParezanović Tijana0Alfa BK University in Belgrade, SerbiaFocusing on the hotel imagery and, more precisely, the hotel Majestic featured in J.G. Farrell’s 1970 novel Troubles, this article provides a spatial contextualization of the historical downfall of the British Empire. In an attempt to establish the concept of the “colonial hotel”, this particular type of hotel is theorized as a fictional means of questioning the sustainability of the imperial project of colonialism. The theoretical framework for considerations of the Majestic in Troubles as a representative of the “colonial hotel” concept is based on Foucault’s heterotopology, as well as on the concepts of liminality and dislocation taken from postcolonial studies. Reading Troubles as an allegory of the Troubles in Ireland and, more broadly, a symptom of the disintegration of the British Empire, the article shows that the hotel, modelled after the historical concept of the Anglo-Irish big house, provides a proper setting where the deconstruction of the binary oppositions of colonial discourse can be played out. While the Majestic represents a mirror-image of the imperial centre, or rather a dislocated centre, its destruction is brought about by its tendency towards constancy and perpetuation of the illusion of grandeur. Similarly, the British Empire refuses to acknowledge the socio-political and historical changes of the early twentieth century and denies the existence of interstitial spaces between its firmly defined structures, whereby it inevitably meets its end.https://doi.org/10.1515/pjes-2016-0003hotelheterotopiatroublesbig house novelbritish empiredislocationliminalitycentre/periphery
collection DOAJ
language English
format Article
sources DOAJ
author Parezanović Tijana
spellingShingle Parezanović Tijana
Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
Prague Journal of English Studies
hotel
heterotopia
troubles
big house novel
british empire
dislocation
liminality
centre/periphery
author_facet Parezanović Tijana
author_sort Parezanović Tijana
title Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
title_short Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
title_full Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
title_fullStr Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
title_full_unstemmed Other Spaces of the Empire: A Colonial Hotel in J.G. Farrell’s Troubles
title_sort other spaces of the empire: a colonial hotel in j.g. farrell’s troubles
publisher Sciendo
series Prague Journal of English Studies
issn 2336-2685
publishDate 2016-07-01
description Focusing on the hotel imagery and, more precisely, the hotel Majestic featured in J.G. Farrell’s 1970 novel Troubles, this article provides a spatial contextualization of the historical downfall of the British Empire. In an attempt to establish the concept of the “colonial hotel”, this particular type of hotel is theorized as a fictional means of questioning the sustainability of the imperial project of colonialism. The theoretical framework for considerations of the Majestic in Troubles as a representative of the “colonial hotel” concept is based on Foucault’s heterotopology, as well as on the concepts of liminality and dislocation taken from postcolonial studies. Reading Troubles as an allegory of the Troubles in Ireland and, more broadly, a symptom of the disintegration of the British Empire, the article shows that the hotel, modelled after the historical concept of the Anglo-Irish big house, provides a proper setting where the deconstruction of the binary oppositions of colonial discourse can be played out. While the Majestic represents a mirror-image of the imperial centre, or rather a dislocated centre, its destruction is brought about by its tendency towards constancy and perpetuation of the illusion of grandeur. Similarly, the British Empire refuses to acknowledge the socio-political and historical changes of the early twentieth century and denies the existence of interstitial spaces between its firmly defined structures, whereby it inevitably meets its end.
topic hotel
heterotopia
troubles
big house novel
british empire
dislocation
liminality
centre/periphery
url https://doi.org/10.1515/pjes-2016-0003
work_keys_str_mv AT parezanovictijana otherspacesoftheempireacolonialhotelinjgfarrellstroubles
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