Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
This article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in t...
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Ecole Nationale de Protection Judiciaire de la Jeunesse
2016-12-01
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Series: | Sociétés et Jeunesses en Difficulté |
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Online Access: | http://journals.openedition.org/sejed/8264 |
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doaj-7944290f611e4ae2a62214cd3440c5b92021-09-02T13:38:50ZengEcole Nationale de Protection Judiciaire de la JeunesseSociétés et Jeunesses en Difficulté1953-83752016-12-0117Jeunes en détention et jeux d’orchestration : à l’écoute du sensibleCorinne CovezThis article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in the penitentiary establishment for minors of Quiévrechain is hereby explained. The proposed point of view is to connect the artistic practice with the paradigm of Sensible participating to the sensitive subject coming up. Therefore, the listening process developed during the musical practice and its playing orchestrations helps recognising a ruined sensitive life. This real musical and sensitive work represents a true way of meeting up with the self and others, rich of emotions, feelings and sense.http://journals.openedition.org/sejed/8264action-researchartistic practiceparticipative orchestraprisonsensitivityyouth at-risks |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Corinne Covez |
spellingShingle |
Corinne Covez Jeunes en détention et jeux d’orchestration : à l’écoute du sensible Sociétés et Jeunesses en Difficulté action-research artistic practice participative orchestra prison sensitivity youth at-risks |
author_facet |
Corinne Covez |
author_sort |
Corinne Covez |
title |
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
title_short |
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
title_full |
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
title_fullStr |
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
title_full_unstemmed |
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
title_sort |
jeunes en détention et jeux d’orchestration : à l’écoute du sensible |
publisher |
Ecole Nationale de Protection Judiciaire de la Jeunesse |
series |
Sociétés et Jeunesses en Difficulté |
issn |
1953-8375 |
publishDate |
2016-12-01 |
description |
This article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in the penitentiary establishment for minors of Quiévrechain is hereby explained. The proposed point of view is to connect the artistic practice with the paradigm of Sensible participating to the sensitive subject coming up. Therefore, the listening process developed during the musical practice and its playing orchestrations helps recognising a ruined sensitive life. This real musical and sensitive work represents a true way of meeting up with the self and others, rich of emotions, feelings and sense. |
topic |
action-research artistic practice participative orchestra prison sensitivity youth at-risks |
url |
http://journals.openedition.org/sejed/8264 |
work_keys_str_mv |
AT corinnecovez jeunesendetentionetjeuxdorchestrationalecoutedusensible |
_version_ |
1721174885987778560 |